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Ivo Andrić
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LABOUR CAMP JASENOVAC
The Ustasha camp in Jasenovac is a sensitive historical theme, which still provokes strong political conflicts more than 70 years after the closure of the camp. During the time of the second Yugoslavia, the camp was made into a myth and one of the main levers for disciplining the society of the time. The Communist Party imposed the number of 700,000 victims and an exaggerated view of the alleged crimes and methods of killing inmates. The aim was to present itself as sole guarantor of security, because in the case of its "reigning-in", the fratricidal war would happen again, with Jasenovac as its main symbol. Before 1990, an attempt to point out the absurdity of the 700,000 alleged victims of Jasenovac entailed going to prison or compulsory psychiatric treatment. The documents referenced in this book indicate the need to continue with research of the Jasenovac camp and that in a democratic atmosphere, as far as possible, its realistic historical picture may be reached.
CROATIA 3: NEW LANGUAGE, NEW NATIONALITY, AND NEW STATE
Retired professor of political science, New York born Dr. Ivo Vukcevich is the author of Rex Germanorum Populus Sclavorum – An Inquiry into the Origin & Early History of the Serbs/Slavs of Sarmatia, Germania, & Illyria, translated as Slavenska Germanija. A recognized authority on Slavic pre-history and contemporary South Slavic national-political issues, in Croatia - Ludwig von Gaj and the Croats are Herrenvolk Goths Syndrome, based mainly on standard Croat sources, Dr. Vukcevich introduces the reader to Ludwig von Gaj, the mid-nineteenth Creator of Croat nationhood as well as national identity issues in modern Croatia, with special attention to Croat-Serb relations. A work in progress examines the 800-year history of the Banat of Croatia in Hungary.
Sounds of the Borderland
Sounds of the Borderland is the first book-length study of how popular music became a medium for political communication and contested identification during and after Croatia's war of independence from Yugoslavia. It extends existing cultural studies literature on music, politics and the state, which has largely been grounded in Western European and North American political systems. It also responds to an emerging fascination with the culture and politics of contemporary south-east Europe, expanding scholarship on the post-Yugoslav conflicts by going on to encompass significant social and political changes into the present day. The outbreak of war in 1991 saw almost every professional musici...
Nationalists Who Feared the Nation
We can often learn as much from political movements that failed as from those that achieved their goals. Nationalists Who Feared the Nation looks at one such frustrated movement: a group of community leaders and writers in Venice, Trieste, and Dalmatia during the 1830s, 40s, and 50s who proposed the creation of a multinational zone surrounding the Adriatic Sea. At the time, the lands of the Adriatic formed a maritime community whose people spoke different languages and practiced different faiths but identified themselves as belonging to a single region of the Hapsburg Empire. While these activists hoped that nationhood could be used to strengthen cultural bonds, they also feared nationalism's homogenizing effects and its potential for violence. This book demonstrates that not all nationalisms attempted to create homogeneous, single-language, -religion, or -ethnicity nations. Moreover, in treating the Adriatic lands as one unit, this book serves as a correction to "national" histories that impose our modern view of nationhood on what was a multinational region.
