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Iron Age Terracotta Figurines from the Southern Levant in Context
This interdisciplinary volume is a ‘one-stop location’ for the most up-to-date scholarship on Southern Levantine figurines in the Iron Age. The essays address terracotta figurines attested in the Southern Levant from the Iron Age through the Persian Period (1200–333 BCE). The volume deals with the iconography, typology, and find context of female, male, animal, and furniture figurines and discusses their production, appearance, and provenance, including their identification and religious functions. While giving priority to figurines originating from Phoenicia, Philistia, Jordan, and Israel/Palestine, the volume explores the influences of Egyptian, Anatolian, Mesopotamian, and Mediterranean (particularly Cypriot) iconography on Levantine pictorial material.
Iconographic Exegesis of the Hebrew Bible / Old Testament
Iconographic exegesis combines the study of biblical texts (exegesis) with the study of ancient expressions of visual art (iconography). Studying ancient visual art that is contemporary with the documents of the Old Testament gives remarkable insight, not only on the meaning and historical context of the biblical text, but also because it facilitates greater understanding of how the ancient authors and audiences saw, thought, and made sense of the world. Iconography thus merits close attention as another avenue that can lead to a more nuanced and more complete understanding of the biblical text. Each chapter of this book provides an exegesis of a particular biblical text or theme. The book i...
Image, Text, Exegesis
Images from the ancient Near East are an important though generally underutilized source of data for interpreting the Hebrew Bible and the cultural context from which it emerged. The essays in this volume highlight the ways that ancient Near Eastern iconography can inform exegesis. This aim is accomplished through case studies in iconographic exegesis that exhibit sound methodologies for relating images and texts. Since the 1970s, biblical scholars have been turning increasingly to iconography as a source for understanding the religion, history and literature of the ancient Near East. The essays in this volume tackle two thorny issues: 1) how images reflect the cultures that produce them and 2) the nature of the relationship between images and texts, both within discrete cultures and among different cultures. Until now, there have been relatively few methodologically self-conscious treatments of ancient iconography and its relationship to the biblical text. So this volume addresses a clear need for demonstrating transparent and consistent methods for iconographic work among biblical scholars.
The Incomparable God
“My Lord! There is no one like you among the gods!” Attempting to describe the nature of God often prompts the exclamation of the psalmist—that God is unlike anyone or anything else. And yet the claim is not simply the overflow of an adoring heart: God’s incomparability is a truth lodged deep within Christian Scripture. In The Incomparable God, Old Testament scholar Brent Strawn offers thoughtful insight into this theological mystery. This volume collects eighteen of Strawn’s most provocative essays on the nature of God, several of which are published for the first time here. Strawn covers the following topics: • the complex portrayal of God in Genesis • God’s mercy in Exodus • poetic description of God in the Psalms • the Trinity in both testaments • pedagogy of the Old Testament • integration of faith and scholarship Encompassing close readings of Scripture, biblical-theological argument, and considerations of praxis, The Incomparable God is essential reading for Old Testament scholars and students.
Piles of Slain, Heaps of Corpses
Piles of Slain, Heaps of Corpses reads the violence in the book of Nahum against the background of the war in the Democratic Republic of the Congo and tries to show how this violent book can be therapeutic and transformative for wounded communities. Here Jacob Onyumbe views Nahum through four scholarly lenses: poetic analysis, study of Assyrian iconography related to eighth- and seventh-century Judah, ethnographic research among survivors of war in the Democratic Republic of the Congo, and modern studies on the impact of war trauma on communities of survivors. He argues that Nahum uses lyric poetry so as to evoke in seventh-century BCE Judahite audiences the memory of war and destruction at ...
Figurines in Achaemenid Period Yehud
Were there figurines in Yehud during the Achaemenid period, and in particular in Jerusalem? A positive answer to this question disproves the general consensus about the absence of figurines in Yehud, which is built on the assumption that the figurines excavated in Judah/Yehud are chronologically indicative for Iron Age II in this area (aside from a few typological exceptions). Ephraim Stern and others have taken this alleged absence of figurines as indicative of Jewish monotheism's rise. Izaak J. de Hulster refutes this `no figurines -> monotheism' paradigm by detailed study of the figurines from Yigal Shiloh's excavation in the 'City of David' (especially their contexts in Stratum 9), providing ample evidence for the presence of figurines in post-587/586 Jerusalem. The author further reflects on the paradigm's premises in archaeology, history, the history of religion, theology, and biblical studies, and particularly in coroplastics (figurine studies).
Persian Royal–Judaean Elite Engagements in the Early Teispid and Achaemenid Empire
Jason Silverman presents a timely and necessary study, advancing the understanding of Achaemenid ideology and Persian Period Judaism. While the Achaemenid Persian Empire (c. 550–330 BCE) dwarfed all previous empires of the Ancient Near East in both size and longevity, the royal system that forged and preserved this civilisation remains only rudimentarily understood, as is the imperial and religious legacy bequeathed to future generations. In response to this deficit, Silverman provides a critically sophisticated and interdisciplinary model for comparative studies. While the Achaemenids rebuilt the Jerusalem temple, Judaean literature of the period reflects tensions over its Persian re-esta...
Violence in the Hebrew Bible
In Violence in the Hebrew Bible scholars reflect on texts of violence in the Hebrew Bible, as well as their often problematic reception history. Authoritative texts and traditions can be rewritten and adapted to new circumstances and insights. Texts are subject to a process of change. The study of the ways in which these (authoritative) biblical texts are produced and/or received in various socio-historical circumstances discloses a range of theological and ideological perspectives. In reflecting on these issues, the central question is how to allow for a given text’s plurality of possible and realised meanings while also retaining the ability to form critical judgments regarding biblical exegesis. This volume highlight that violence in particular is a fruitful area to explore this tension.
Themelios, Volume 40, Issue 3
Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian T...
