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Gao Xingjian is the leading Chinese dramatist of our time. He is also one of the most moving and literary writers for the contemporary stage. His plays have been performed all around the world, including China, Hong Kong, Taiwan, Japan, Australia, the Ivory Coast, the United States, France, Germany and other European countries. Born and educated in China, Gao studied French literature at the Beijing Foreign Languages Institute between 1957-1962. After the Cultural Revolution, he became a resident playwright at the Beijing People's Art Theatre. His works, including Bus Stop, Absolute Signal, and Wilderness Man, were trend-setting and have created many controversies and a wave of experimental ...
For the vigilant writer, driven publisher or game designer, Volume 3 of the Gygaxian Fantasy World series drives forward the gathering host of information brought to you by the Gygaxian Fantasy World series. From the encampments of common folk and wanderers to the teeming streets of walled towns, this work brings the fantastic world of magic to life. Game designers captain their own creations when they master knowledge of the high and low, the hamlets and towns, cities and castles and all that accompanies life in a world of our own imagining. More than that, Everyday Life breathes strength into the arms of your imaginings with pirates and palace life, eating and entertainment, villains and vagabonds, communications and commerce. Whatever is found in the daily life of a typical fantasy world is covered herein. Sound the note of world creation with Gary Gygax's Everyday Life.
"Painting starts where words fail or are inadequate in expressing what one wants to express." -- Gao Xingjian, Harvard University Gazette In December 2000, Gao Xingjian became the first Chinese-language writer to win the Nobel Prize in Literature. In addition to having produced an impressive body of work in several genres -- fiction, plays, and essays -- this prolific artist has also distinguished himself as a painter. A collection of more than a hundred paintings, Return to Painting was first published in France for a major exhibition of his work in Avignon. The paintings -- India ink on rice paper -- span the artist's career from the 1960s until the present day. This book also includes an important essay by Gao, who is considered an artistic innovator in his native China, both in the visual arts and in literature.
Modern drumset studies written with contemporary notations conceived for the concert and jazz drummer.
A collection of six unforgettable stories from Nobel laureate Gao Xingjian. Dealing with Gao's trademark themes of relationships, family, the political scene in China and exploration of the self, these stories are by turns moving, beautiful and thought-provoking. With the exception of 'In an Instant', all the stories were written in China in the early 1980s and published in Chinese in a collection called Gei wo laoye mai yugan (Buying a Fishing Rod for My Grandfather) by Lianhe Press in taipei 1989. 'In an Instant' was written in Paris in October 1990 but not published until 1996 in the collection Zhoumo sichongzhou, after Soul Mountain had been published in early 1990. this is the perfect first taste of the work of Gao Xingjian - short, sweet and highly accessible - something for those who have heard about the author but are unsure where to start.
For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter.
A novel from the Nobel Prize-winning author of international bestseller ‘Soul Mountain’. ‘Unforgettable. “One Man’s Bible” burns with a powerfully individualistic fire of intelligence and depth of feeling.’ New York Times
This second volume in the Gygaxian Fantasy Worlds series marshals a veritable host of information for the game designer. Unburdened with flavor text this tome is a collection of militantly organized definitions, lists, tables and charts with an army of information from the mundane to the extraordinary. The World Builder covers outdoor settings, indoor living settings, merchandise with a completely illustrated armor and weapons section and everyday facts from the government structure to the tensile strength of rope.
Universally known as the winner of the Nobel Prize for Literature in 2000, Gao Xingjian is also an artist whose work is exhibited all over the world. Born in China in 1940, he was introduced to the arts as a boy by his mother who was an actress. He worked as a translator while painting and writing, becoming well-known in Beijing for his avant-garde plays. During the Cultural Revolution, he was sent to a re-education camp for the radical views expressed in his theatre. After the events of Tiananmen Square, he left China for France. Today he lives in Paris and works as a painter, critic, playwright and opera librettist. His best-selling novels are Soul Mountain (1995) and One Mans Bible (2000). Aesthetics and Creation, his main work on art and literary creativity, was published in English in 2012. This stunning book showcases for the first time two decades of Gao Xingjians oeuvre. In his brilliant and instructive text.
The goal of this book is to develop temporary light spaces that re-interpret the existing urban environment on a seasonal basis or over a cycle of several years. As a result, the city will literally appear in a new light. Strollers in the city streets will experience their familiar environment in a new way. Illuminated planes interlacing with planes made by linear fields of light beams will create immaterial material space experiences: still lifes of light within which one can move about and light choreographies that move barely noticeably, creating still lifes in motion. The discourse in this book starts with essays introducing aspects of light spaces and concludes with documents on light spaces by Wolfgang Rang collected over a period of 30 years showing how these light spaces were regarded in the writings of contemporaries.