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Who Shot the Sheriff?
This intriguing book is a study of the rise and fall of an American genre of entertainment and communication whose symbols and rhetoric helped define American society for decades. Flourishing in the 1950s and 1960s, the television Western has deteriorated to the point where it is now irrelevant and meaningless. Tracing the evolution of the Western from the late 1940s to the 1980s, the author ties the genre to the political innocence and confidence of the Cold War years and suggests that the social reevaluations that began in the 1960s undermined the believability of Westerns and their entertainment value. Seeking to understand the demise of the TV Western, the book offers an analysis of the interrelationships between popular culture, television, and sociopolitical development in the United States during the past four decades.
One Nation Under Television
Since commercial television emerged in the late 1940s, it has been on the cutting edge of social, political, economic, and cultural developments in the United States and the world. This book is a provacative history of how the major networks schemed to gain ratings and power, and to keep the FCC at bay. The result was the creation of limited and rigidly standardized television offerings. Professor MacDonald examines how the introduction of cable TV in the 1980s has weakened the power of the networks and reshaped the industry.
A Tale of Two Fiddlers
This is the story of the Charlottetown family as seen through the eyes of the oldest boy, Fred "Fiddler" MacDonald. This memoir tells of Frederick James' journeys in the City, starting with his days as a newspaper and a shoe-shine boy while attending Queen Square School, an all-boys Catholic school in the centre of the City. The story retraces his paper route in the mid-1950's and the people that he encountered in his travels.
Television and the Red Menace
"A major resource for both general and scholarly audiences. . . . The broad scope of this work should provide accessible and welcome assistance to both the seasoned O'Neill scholar and the newly initiated. . . ." Choice
I Rode With Heroes Volume 1
An exciting, factual account of the Author's Law Enforcement Career. From walking through critter infested swamps with his earliest Heroes, to chasing the most dangerous of our nation's outlaws into the darkest of places, the author injects the reader into each story through heart pounding descriptions of events which led always into the unknown.
Blacks and White TV
The second edition of this powerful analysis of African-Americans in the television insudtry since 1948 is completely updated. The increased visibility of blacks in television, the success of the Cosby Show and other sitcoms featuring black actors, and the impact of cable TV on programming are described in detail. Professor MacDonald traces the stereotyping, tokenism, and unfair treatment of blacks from the early days of the indsutry, but expresses his hope and belief that a new video order is materializing that will finally fulfill the bright promise of television.
Richard Durham's Destination Freedom
"This volume consists of the fifteen most important Destination Freedom scripts, each introduced with a short history of the subject matter and consideration of the script within Durham's intellectual world view. This incisive work also includes an introductory chapter by MacDonald, a noted scholar on the history of radio broadcasting, which traces Durham's professional history, the history of blacks in radio, and the place of Destination Freedom in the current of late 1940s politics"--Amazon.com.
I Was a Communist for the FBI
Who is Matt Cvetic? Hero? Scoundrel? Mole? The man who loosely provided the inspiration for the B-Grade cult movie I Was a Communist for the FBI had a life that was marred by alcoholism, damaged expectations, and greed. Cvetic, at the request of the FBI, joined a Pittsburgh branch of the CPUSA in 1943. He became one of many plants in the Party during that decade and gained the nickname &"Pennsylvania&’s most significant mole.&" However, because of his erratic behavior, the FBI fired him in 1950, at which time he surfaced and suddenly became a celebrity through his testimony before the HUAC hearing. Journalist Richard Rovere described Cvetic as a &"kept witness,&" a term that fits those who...
Feminist Television Criticism: A Reader
Covers the area of feminist media criticism. This edition discusses subjects including, alternative family structures, de-westernizing media studies, industry practices, "Sex and the City", Oprah, and "Buffy."
