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J.M. Coetzee & the Life of Writing
J.M. Coetzee is one of the world's most intriguing authors. Compelling, razor-sharp, erudite: the adjectives pile up but the heart of the fiction remains elusive. Now, in J.M. Coetzee and the Life of Writing, David Attwell explores the extraordinary creative processes behind Coetzee's novels from Dusklands to The Childhood of Jesus. Using Coetzee's manuscripts, notebooks, and research papers—recently deposited at the Harry Ransom Center of the University of Texas at Austin—Attwell produces a fascinating story. He shows convincingly that Coetzee's work is strongly autobiographical, the memoirs being continuous with the fictions, and that his writing proceeds with never-ending self-reflection. Having worked closely with him on Doubling the Point: Essays and Interviews and given early access to Coetzee's archive, David Attwell is an engaging, authoritative source. J. M. Coetzee and the Life of Writing is a fresh, fascinating take on one of the most important and opaque literary figures of our time. This moving account will change the way Coetzee is read, by teachers, critics, and general readers.
J. M. Coetzee
The importance of J. M. Coetzee in the development of twentieth-century fiction is widely recognised. His work addresses some of the key issues of the late twentieth and early twenty-first centuries: the relationship between postmodernism and postcolonialism, the role of history in the novel, and the question of how the author can combine an ethical and political consciousness with a commitment to the novel as a work of fiction. In this study, written in 1998, Dominic Head assesses Coetzee's position as a white South African writer engaged with the legacy of colonialism. Through close readings of all the novels, Head shows how Coetzee inhabits a transitional site between Europe and Africa, and it is from this position that his more general concerns emerge. Coetzee's engagement with the problems facing the postcolonial writer, Head argues, is always enriched by his awareness of a wider literary tradition.
J.M. Coetzee
J.M. Coetzee: a life in writing is the first biography of Nobel prize-winning author J.M. Coetzee. A global publishing event of the rarest kind, the book has been written with the full co-operation of Coetzee, who granted the author interviews, and put him in touch with family, friends, and colleagues who could talk about events in Coetzee’s life. For the first time, Coetzee allowed complete access to his private papers and documents, including the manuscripts of his sixteen novels. J.C. Kannemeyer has also made a study of the enormous body of literature on Coetzee, and through archival research has unearthed further information not previously available. The books deals in depth with Coetz...
Elizabeth Costello
Elizabeth Costello is an Australian writer of international renown. Famous principally for an early novel that established her reputation, she has reached the stage where her remaining function is to be venerated and applauded. Her life has become a series of engagements in sterile conference rooms throughout the world - a private consciousness obliged to reveal itself to a curious public: the presentation of a major award at an American college where she is required to deliver a lecture; a sojourn as the writer in residence on a cruise liner; a visit to her sister, a missionary in Africa, who is receiving an honorary degree, an occasion which both recognise as the final opportunity for effecting some form of reconciliation; and a disquieting appearance at a writers' conference in Amsterdam where she finds the subject of her talk unexpectedly amongst the audience. She has made her life's work the study of other people yet now it is she who is the object of scrutiny. But, for her, what matters is the continuing search for a means of articulating her vision and the verdict of future generations.
The Death of Jesus
The luminous new novel from 'one of the best writers of our time', double Booker Prize winner J. M. Coetzee. 'Full of truth, tearfully moving to read... Brilliant' Evening Standard Simón and David - a tall ten-year-old - are in a new land, together with a woman named Inés. The small family have found a home in which David can thrive. But David is spotted by Julio Fabricante, the director of a local orphanage, playing football with his friends. He shows unusual talent. When David announces that he wants to live with Julio and the children in his care, Simón and Inés are stunned. David is leaving them, and they can only love him and bear witness. The Death of Jesus is the completion of an incomparable trilogy in which J. M. Coetzee explores the meaning of a world empty of memory but brimming with questions. * A New York Times Notable Book * ___________________ 'Extraordinary... Coetzee stands as the pre-eminent novelist in the English-writing world' New Statesman 'You will read its cool, dry final sentences - as I did - with tears in your eyes' The Times
Age of Iron
Nobel Laureate and two-time Booker prize-winning author of Disgrace and The Life and Times of Michael K, J. M. Coetzee tells the remarkable story of a nation gripped in brutal apartheid in his Sunday Express Book of the Year award-winner Age of Iron. In Cape Town, South Africa, an elderly classics professor writes a letter to her distant daughter, recounting the strange and disturbing events of her dying days. She has been opposed to the lies and the brutality of apartheid all her life, but now she finds herself coming face to face with its true horrors: the hounding by the police of her servant's son, the burning of a nearby black township, the murder by security forces of a teenage activis...
On J. M. Coetzee
‘I was born in the year J.M. Coetzee published his third novel, Waiting for the Barbarians. My mother read this dark, disturbing book with its multiple scenes of torture as she breastfed me at night, while my older sister slept and the house was quiet. It was 1980. The apartheid government had declared a state of emergency in the face of growing internal revolt, and my parents were thinking of leaving South Africa again.’ For Ceridwen Dovey, J.M. Coetzee has ‘always been there’, ‘challenging the rest of us to keep up, resisting our attempts to pin him down.’ Her mother wrote the first critical study of Coetzee’s early novels, uncovering their startlingly original ways of bringing together literature and politics. With tenderness and insight, Dovey draws on this family history to explore the Nobel Prize–winner’s work.
Disgrace
A white woman is gang-raped by blacks in this novel on post-apartheid South Africa. But she understands such settling of scores is inevitable, given what whites did to blacks, and she keeps the baby. By the author of Waiting for the Barbarians.
Boyhood
In Boyhood, J. M. Coetzee revisits the South Africa of half a century ago, to write about his childhood and interior life. Boyhood's young narrator grew up in a small country town. With a father he imitated but could not respect, and a mother he both adored and resented, he picked his way through a world that refused to explain its rules, but whose rules he knew he must obey. Steering between these contradictions, Boyhood evokes the tensions, delights and terrors of childhood with startling, haunting immediacy. Coetzee examines his young self with the dispassionate curiosity of an explorer rediscovering his own early footprints, and the account of his progress is bright, hard and simply compelling.
Slow Man
Paul Rayment is on the threshold of a comfortable old age when a calamitous cycling accident results in the amputation of a leg. Humiliated, his body truncated, his life circumscribed, he turns away from his friends. He hires a nurse named Marijana, with whom he has a European childhood in common: hers in Croatia, his in France. Tactfully and efficiently she ministers to his needs. But his feelings for her, and for her handsome teenage son, are complicated by the sudden arrival on his doorstep of the celebrated Australian novelist Elizabeth Costello, who threatens to take over the direction of his life and the affairs of his heart.
