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Roberto Sanchez is living the dream; one could say the man had it all. Then a tragic accident leads him to a chasm of dark despair and he is now incapable of helping himself off the edge of a cliff, jeopardizing his career, his marriage, and himself.
Robert had reached the summit of many mountains. His adventures took him to unimaginable heights, yet his greatest achievements were not in conquering these majestic beauties, but in his ability to reach people in need. That is, until he's the one facing the toughest climb of his life. Roberto Sanchez is living the dream; one could say the man had it all. He is blessed with a beautiful wife and daughter who complete him. A career that reaches at-risk kids that brings him true joy. Then a tragic accident leads Robert to a chasm of dark despair. Although his interventions have reached many, he is now incapable of helping himself off the edge of a cliff, jeopardizing his career, his marriage, and himself. because takes us on a journey of two Roberts as he struggles to find a way to once again believe.
Divorcee Jenny MacPartland's struggle to support herself and her two small daughters is not helped by her irresponsible ex-husband. But suddenly a new man steps into her life. Rich, handsome Erich Krueger sweeps her off her feet and off to his mansion in the country.
Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.
This book offers detailed listings of all the major Shakespeare plays on stage and screen in North America. Exploring each of the play's performance history, including reviews and useful information about staging, it provides an engaging reference guide for academics and students alike.
An impressive collection of essays by 21 of English Canada's leading theatre critics provides a cultural history of Canada, and Canadians intense relationship to theatre, from 1829 to 1998, and across the whole country.
In this play, Rahul Varma has skilfully counterpointed the issues of racism and spousal abuse to show how the intersection of the two can be used to confound and mislead the public, while the Establishment and politicians go their self-serving ways.
American films, like America itself, have long been fascinated by the threat of outsiders posing as citizens to destroy the American way of life. This book tracks real-world fears appearing in the movies--Nazi agents, Japanese-American spies, Communist Party subversives, Islamic sleeper cells--as well as the science-fiction threats that play to the same fears, such as alien body-snatchers and android doppelgangers. The work also examines fears inspired by World War I German spies, the Japanese-American internment and the McCarthyite witch-hunts and shows how these issues, and others, played out on screen.
First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.