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Danger, Memory!
THE STORIES: The first play, I CAN'T REMEMBER ANYTHING, is a gentle, poignant study of two old friends, an elderly man and woman, who live in nearby houses and often take their meals together. She is a wealthy widow whose life seems to have come to a stop
Bosnian, Croatian, Serbian, a Textbook
Three official languages have emerged in the Balkan region that was formerly Yugoslavia: Croatian in Croatia, Serbian in Serbia, and both of these languages plus Bosnian in Bosnia-Herzegovina. Bosnian, Croatian, Serbian, a Textbook introduces the student to all three. Dialogues and exercises are presented in each language, shown side by side for easy comparison; in addition, Serbian is rendered in both its Latin and its Cyrillic spellings. Teachers may choose a single language to use in the classroom, or they may familiarize students with all three. This popular textbook is now revised and updated with current maps, discussion of a Montenegrin language, advice for self-study learners, an exp...
Edinburgh Handbook of Evaluative Morphology
Reviews and debates the latest theoretical approaches to evaluative morphology
JOHNSON V. JOHNSON
With the extraordinary investigative acumen and sensitive narrative skills that informed her best-selling Little Gloria . . . Happy at Last, Barbara Goldsmith now gives us the most sensational case of a contested will in American history—weaving a hypnotic tale of vast wealth and moral corruption. When J. Seward Johnson, the pharmaceutical heir, died in 1983 at the age of eighty-seven, his six children (each of whom was already in possession of an immense fortune) were outraged to learn that he had willed his entire $500-million estate to their stepmother Basia—a woman forty-two years Seward’s junior, a Polish refugee who had once worked as a chambermaid in his household. They came to ...
Unsung Americans Sung
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ceremonies in Dark Old Men
Ceremonies in Dark Old Men, a classic of American theater, is the poignant story of a family in 1950s Harlem. In timeless prose, Lonne Elder explores the discontent of a generation that has grown old before its time, and the determination of the next generation to avoid such a fate. In the play, Russel B. Parker is a prodigal father and failed barber who exists on memories and "ceremonies" for survival. He spends his time recounting atmospheric tales of his life in vaudeville and tells, in darkly comic detail, about his days on the chain gang. Just beneath the surface of Elder's work lie the terrors of day-to-day life in a racist society--never directly mentioned, but always simmering unforgettably. Ceremonies in Dark Old Men had its debut Off-Broadway in 1969. It received enthusiastic reviews and moved into an extended run. Since its first performance, the play has been produced numerous times both on television and on the stage, with the leads being played by an honor roll of actors, including Laurence Fishburne, Denzel Washington, and Billy Dee Williams.
Entrepreneurship and the Experience Economy
Brings together a range of empirical studies, which disclose and substantiate the so-called experience economy with a particular focus on its entrepreneurial aspects. This book elaborates and clarifies the entrepreneurial nature of the experience economy.
Peg O' My Heart: A Comedy of Youth
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
