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Assembling cultures takes a fine-grained look at workplace activism in car manufacturing between 1945 and 1982, using it as a key case for unpicking narratives around affluence, declinism and class. It traces the development of the militant car worker stereotype, looking at the social relations which lay behind the industry's reputation for conflict. This book reveals a changing, complex world of social practices, cultural norms, shared values and expectations. From the 1950s, car workers developed shop-floor organisations of considerable authority, enabling some new demands of their working lives, but constraining other more radical political aims. This is a story of workers and their place in the power relations of post-war Britain. This book is invaluable to academics and students studying the history, sociology and politics of modern Britain, particularly those with an interest in power, rationality, class, labour, gender and race.
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After spending his younger years wandering and womanizing, Fletch has settled down in rural Tennessee with his new Southern belle, Carrie. But unfortunately, chaos always comes knocking for the semiretired reporter. One stormy evening on his sizable but modest farm, a wet and dirty escaped convict named Jack arrives on his front doorstep, claiming to be his long-lost son. Baffled by the statement but intrigued by the young, intelligent man, Fletch decides to play along with the kid’s game and help him and his cohorts abscond to Alabama. As questions begin to arise about Jack’s peculiar motives, Fletch and Carrie are reluctantly drawn further into a racially charged plot that’s quickly turning violent.
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Time, Tide and History: Eleanor Dark’s Fiction is the first book-length edited collection of scholarly essays to treat the full span of Eleanor Dark’s fiction, advancing a recent revival of critical and scholarly interest in Dark’s writing. This volume not only establishes a new view of Dark’s fiction as a whole, but also reflects on the ways in which her fiction speaks to our present moment, in the context of a globally fraught, post-pandemic, Anthropocene era. Above all, the revisiting of Dark’s fiction is mandated by a desire to recognise the ways in which it anticipates vital debates in Australian literary and national culture today, about settler colonialism and its legacies, ...
Finally, kisses from the billionaire's point of view... Jack Saunders wanted one last hurrah before taking the mantle of DS Oil & Gas, the billion-dollar company that his father founded. His friend, Owen, let him borrow his mansion on a tropical island so that he could throw a final party before "marrying" the business that would dominate the rest of his life. He brought his secretary, Brandy, hoping that he could kindle a relationship that would last through the long days and nights of running a company. However, while the party was great, the gold digging woman he brought was not, and Jack resigned himself to a lifetime of loneliness. That was until he took a walk down the beach and met he...
In this heartwarming sweet romance, Jack Saunders, a reclusive billionaire, has taken refuge as a Montana rancher to shield his son from harm. The young boy is the sole witness to his mother's tragic murder, but he hasn't spoken since that fateful day. Gabby Cooper, a compassionate kindergarten teacher in Twin Bluffs, notices one of her students is struggling and uncommunicative. She arranges a meeting with the boy's father, Jack Saunders, out of concern for the child's well-being. When Jack and Gabby meet, an instant and intense attraction blossoms between them. Despite their different backgrounds, they are drawn to each other in a way that defies explanation. However, their love is soon put to the test when the man who killed Jack's wife resurfaces and threatens Gabby's safety. Jack knows how to fight for what he loves, for his son, and for the woman who healed his broken heart.
"A fascinating history of a wonderful old theatre." - Hume Cronyn In September of 1901 London’s New Grand Opera House flung open its doors. Boasting a beautiful interior design, and with the most modern stage equipment available, the theatre was large enough to accommodate over 1,700 patrons and the largest touring shows of the time. With impresario Ambrose J. Small at the helm, a new era in theatrical entertainment began. Throughout the next hundred years, the Grand Theatre hosted everything from stock companies to minstrel shows, from vaudeville to star-studded productions. The celebrated amateur theatre company, London Little Theatre, made The Grand its home for decades. As Canadian the...