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Are you struggling with your faith or trying to help others but cannot get around the problem of "If there is a God, why is he hidden?" Killing Atheism bypasses traditional apologetics and powerfully shows that God is not hidden. It describes irrefutable secular evidence showing that the story of Christ must be true. This is not an academic endeavor, but a spiritual and evidentiary journey written for the layman, with only a few digressions into the world of traditional apologetics. We have been given free will to ignore, reject, or accept Jesus. If your inclination is to ignore or reject, you must deal with the points made in this book.
What are miracles? Why do miracles happen? Do miracles still happen? The subject of miraculous activity is one that has compelled believers for millennia. This book describes and recounts some of the most fascinating stories that have taken place not on the dusty pages of some centuries-old manuscript, but here and now in our own modern world. Fr. Paul Glynn, a Marist priest, takes the reader on a trip around the world to the sites of miraculous happenings, including healings, apparitions and conversions, including Lourdes, Knock, and Fatima. Through personal accounts and meticulous studies, he is able to show solid evidence and proof of Godಙs work in our lives. These inspiring stories will enhance the readerಙs faith as well as provide a bastion of comfort for those in doubt. Illustrated with many photos.
With five Nobel Prize-winners, seven Pulitzer Prize-winners and two Booker Prize-winning novelists, modern Irish writing has contributed something special and permanent to our understanding of the twentieth century. Irish Writing in the Twentieth Century provides a useful, comprehensive and pleasurable introduction to modern Irish literature in a single volume. Organized chronologically by decade, this anthology provides the reader with a unique sense of the development and richness of Irish writing and of the society it reflected. It embraces all forms of writing, not only the major forms of drama, fiction and verse, but such material as travel writing, personal memoirs, journalism, intervi...
The big man at the window, as though fascinated by the flood of light within the room, remained for a long time staring. Finally he turned, and instantly he grappled with the smaller shadow behind him. “It is I!” whispered the Cheyenne hastily. “It is Standing Antelope. Take your hand from my throat, Thunder Moon!” He was free, and the two slipped silently through the garden, through the hedges, and back into the adjoining woods where they had left their four horses. “I, also, have seen,” said the boy. “What?” asked the other. “I have seen the reason that brought you from the Suhtai and made you travel all these moons into the land of the white men. I have seen his face!” “You have seen him? Then who is he, Standing Antelope?”