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Philosophies of Technology
The essays in the present volume attempt to historically reconstruct the various dependencies of philosophical and scientific knowledge of the material and technical culture of the early modern era and to draw systematic conclusions for the writing of early modern history of science. The divisive transformation of humanist scholarly culture, the Scholastic school philosophy, as well as magic in the form of a philosophy of practice is always associated with the work of Francis Bacon. All of these essays in this volume reflect the close interaction between technical models and knowledge production in natural philosophy, natural history and epistemology. It becomes clear that the technological developments of the early modern era cannot be adequately depicted in the form of a pure history of technology but rather only as part of a broader, cultural history of the sciences. Contributors include: Todd Andrew Borlik, Arianna Borrelli, Thomas Brandstetter, Daniel Damler, Luisa Dolza, Moritz Epple, Berthold Heinecke, Dana Jalobeanu, J rgen Klein, Staffan M ller-Wille, Romano Nanni, Jarmo Pulkkinen, Pablo Schneider, Andr s Vaccari, Benjamin Wardhaugh, Sophie Weeks, and Claus Zittel.
Labour, Science and Technology in France, 1500-1620
For a generation, the history of the ancien régime has been written from the perspective of the Annales school, with its emphasis on the role of long-term economic and cultural factors in shaping the development of early modern France. In this detailed 1995 study, Henry Heller challenges such a paradigm and assembles a huge range of information about technical innovation and ideas of improvement in sixteenth-century France. Emphasising the role of state intervention in the economy, the development of science and technology, and recent research into early modern proto-industrialisation, Heller counters notions of a France mired in an archaic, determinist mentalité. Despite the tides of religious fanaticism and seigneurial reaction, the period of the religious wars saw a surprising degree of economic, technological and scientific innovation, making possible the consolidation of capitalism in French society during the reign of Henri IV.
The Machines of Leonardo Da Vinci and Franz Reuleaux
This fascinating book will be of as much interest to engineers as to art historians, examining as it does the evolution of machine design methodology from the Renaissance to the Age of Machines in the 19th century. It provides detailed analysis, comparing design concepts of engineers of the 15th century Renaissance and the 19th century age of machines from a workshop tradition to the rational scientific discipline used today.
John Wilkins (1614-1672): New Essays
A cutting-edge reappraisal of Wilkins and his achievement, featuring ten studies covering all aspects of Wilkins’s career as an influential natural philosopher, theologian, and statesman.
The Industrial Revolution-Lost in Antiquity-Found in the Renaissance
Historians of Technology have failed to include the larger contribution and influence of Ctesibius' compressor-driven Hydraulis and Pump in the path of critical pre-events leading up to the Industrial Revolution. This research attempts to correct that oversight analyzing the roles of the primary scientists who adopted and adapted the Hydraulis' complex design in an initial search to reproduce this ancient musical instrument that resurfaced as an industrially viable, steam-driven, qua, prime mover in 1690, 46 years before James Watts's birth in 1736.
The Power of Images in Early Modern Science
The book is dedicated to the role of visual representations in the history of early modern science. It brings together historical case studies from various fields and discusses epistemological questions such as the role of images as mediatory instances between practical and theoretical knowledge, the interaction between images and texts, and the potential of images to synthesize fragments of knowledge to a global picture.
Galileo’s Glassworks
The Dutch telescope and the Italian scientist Galileo have long enjoyed a durable connection in the popular mind--so much so that it seems this simple glass instrument transformed a rather modest middle-aged scholar into the bold icon of the Copernican Revolution. And yet the extraordinary speed with which the telescope changed the course of Galileo's life and early modern astronomy obscures the astronomer's own curiously delayed encounter with the instrument. This book considers the lapse between the telescope's creation in The Hague in 1608 and Galileo's alleged acquaintance with such news ten months later. In an inquiry into scientific and cultural history, Eileen Reeves explores two fund...
Luc Besson
One of the hottest international properties to come out of the new wave of French filmmakers in the 1980s, Luc Besson is a director with a simple mission and a dazzling visual style. One of the most respected names in French film studies, Susan Hayward, sketches Besson's filmmaking career and processes to date, placing the films within their socio-historical and political contexts. She investigates the interface between technology and the body, along with the environments in which the violent interactions between the two get played out. The absence of family and the demise of community are also explored with theoretical sophistication. Besson's films represent the conflicts and tensions of a post-modern age and are perceived as signs of their time.
