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La politique, une histoire de famille
  • Language: fr
  • Pages: 143

La politique, une histoire de famille

  • Type: Book
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  • Published: 2017
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  • Publisher: Unknown

"À l'échelle internationale, on a observé que la présence de la parenté en politique a tendance à décoître avec le temps mais qu'elle perdure dans les plus hautes sphères du pouvoir et qu'elle comporte souvent une dimension locale ou territoriale. Qu'en est-il au Parlement du Canada et dans les Législatures des premières provinces? Telle est la question à laquelle veut répondre cette série d'études."--4e de couverture.

Raising the Stakes
  • Language: en
  • Pages: 333

Raising the Stakes

  • Type: Book
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  • Published: 2015-01-30
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  • Publisher: MIT Press

How a form of play becomes a sport: players, agents, referees, leagues, tournaments, sponsorships, and spectators, and the culture of professional computer game play. Competitive video and computer game play is nothing new: the documentary King of Kong memorably portrays a Donkey Kong player's attempts to achieve the all-time highest score; the television show Starcade (1982–1984) featured competitions among arcade game players; and first-person shooter games of the 1990s became multiplayer through network play. A new development in the world of digital gaming, however, is the emergence of professional computer game play, complete with star players, team owners, tournaments, sponsorships, ...

Insolvency Bulletin
  • Language: en
  • Pages: 572

Insolvency Bulletin

  • Type: Book
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  • Published: 1982
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  • Publisher: Unknown

None

No Big Deal!
  • Language: en
  • Pages: 144

No Big Deal!

None

The Cinema of Québec
  • Language: en
  • Pages: 622

The Cinema of Québec

Quebecois cinema, too long neglected and too long unknown by American viewers, and often not appreciated on its own terrain, receives its well-deserved defense in Janis L. Pallister's The Cinema of Quebec: Masters in Their Own House.

Official Gazette of the United States Patent and Trademark Office
  • Language: en
  • Pages: 1486

Official Gazette of the United States Patent and Trademark Office

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

None

Canada’s Best Features
  • Language: en
  • Pages: 419

Canada’s Best Features

  • Type: Book
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  • Published: 2002-01-01
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  • Publisher: BRILL

Long recognized for outstanding National Film Board documentaries and innovative animated movies, Canada has recently emerged from the considerable shadow of the Hollywood elephant with a series of feature films that have captured the attention of audiences around the world. This is the first anthology to focus on Canada's feature films - those acknowledged as its very best. With essays by senior academics and leading scholars from across the country as well as some fresh new voices, Canada's Best Features offers penetrating analyses of fifteen award-winning films. Internationally acclaimed directors David Cronenberg, Atom Egoyan, Denys Arcand, and Claude Jutra are represented here. Notewort...

Quebec National Cinema
  • Language: en
  • Pages: 396

Quebec National Cinema

In Quebec National Cinema Bill Marshall tackles the question of the role cinema plays in Quebec's view of itself as a nation. Surveying mostly fictional feature films, Marshall demonstrates how Quebec cinema has evolved from the innovative direct cinema of the early 1960s into the diverse canvas of popular comedies, glossy co-productions, and reworked auteur cinema of the postmodern 1990s. He explores the faultlines of Quebec identity - its problematic and contradictory relationship with France, the question of Native peoples, the influence of the cosmopolitan and pluralist city of Montreal, and the encounters between sexuality, gender, and nation traced and critiqued in women's and queer ci...

Claude Jutra
  • Language: en
  • Pages: 319

Claude Jutra

Through close readings of Jutra's major films, Jim Leach analyses their distinctive cinematic qualities and discusses the responses they have received from reviewers and critics. He focuses both on the films and the historical and cultural contexts in which they were made, arguing that critics have frequently used inappropriate criteria to judge them and that these misunderstandings reveal much about attitudes to Canadian cinema in general. Jutra's films are shown to reflect the instability of their cinematic and cultural contexts and raise important questions about nationhood. Jutra always identified himself as a separatist and his films were shaped by the rapid changes in Quebec society during the Quiet Revolution and by the political tensions of the sixties and seventies. At the same time his work was often appreciated by English Canadian critics and audiences and was affected by federal film policy and institutions. Although Jutra died in 1986, his films and career still have much to tell us about Canadian cinema and media production, and about the complex cultural contexts that underlie the ongoing debates on Canadian and Quebec nationhood.