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How a form of play becomes a sport: players, agents, referees, leagues, tournaments, sponsorships, and spectators, and the culture of professional computer game play. Competitive video and computer game play is nothing new: the documentary King of Kong memorably portrays a Donkey Kong player's attempts to achieve the all-time highest score; the television show Starcade (1982–1984) featured competitions among arcade game players; and first-person shooter games of the 1990s became multiplayer through network play. A new development in the world of digital gaming, however, is the emergence of professional computer game play, complete with star players, team owners, tournaments, sponsorships, ...
Quebecois cinema, too long neglected and too long unknown by American viewers, and often not appreciated on its own terrain, receives its well-deserved defense in Janis L. Pallister's The Cinema of Quebec: Masters in Their Own House.
Long recognized for outstanding National Film Board documentaries and innovative animated movies, Canada has recently emerged from the considerable shadow of the Hollywood elephant with a series of feature films that have captured the attention of audiences around the world. This is the first anthology to focus on Canada's feature films - those acknowledged as its very best. With essays by senior academics and leading scholars from across the country as well as some fresh new voices, Canada's Best Features offers penetrating analyses of fifteen award-winning films. Internationally acclaimed directors David Cronenberg, Atom Egoyan, Denys Arcand, and Claude Jutra are represented here. Notewort...
In Quebec National Cinema Bill Marshall tackles the question of the role cinema plays in Quebec's view of itself as a nation. Surveying mostly fictional feature films, Marshall demonstrates how Quebec cinema has evolved from the innovative direct cinema of the early 1960s into the diverse canvas of popular comedies, glossy co-productions, and reworked auteur cinema of the postmodern 1990s. He explores the faultlines of Quebec identity - its problematic and contradictory relationship with France, the question of Native peoples, the influence of the cosmopolitan and pluralist city of Montreal, and the encounters between sexuality, gender, and nation traced and critiqued in women's and queer ci...
Through close readings of Jutra's major films, Jim Leach analyses their distinctive cinematic qualities and discusses the responses they have received from reviewers and critics. He focuses both on the films and the historical and cultural contexts in which they were made, arguing that critics have frequently used inappropriate criteria to judge them and that these misunderstandings reveal much about attitudes to Canadian cinema in general. Jutra's films are shown to reflect the instability of their cinematic and cultural contexts and raise important questions about nationhood. Jutra always identified himself as a separatist and his films were shaped by the rapid changes in Quebec society during the Quiet Revolution and by the political tensions of the sixties and seventies. At the same time his work was often appreciated by English Canadian critics and audiences and was affected by federal film policy and institutions. Although Jutra died in 1986, his films and career still have much to tell us about Canadian cinema and media production, and about the complex cultural contexts that underlie the ongoing debates on Canadian and Quebec nationhood.
In 1993, Canada’s Liberal Party cancelled an order to replace the Sea King maritime helicopter. The Liberals claimed the Tory plan was too expensive, but the cancellation itself actually cost taxpayers hundreds of millions of dollars. The incident drew public attention to the waste in Canada’s defence spending and to the under-equipped state of its military. Aaron Plamondon ties the bungled attempts to replace the Sea King – before and since 1993 – to the evolution of the weapons procurement process in Canada since Confederation. He reveals that partisan politics, rather than a desire to increase the military’s capabilities, has driven the nation’s policy-makers.
A crumbling lighthouse is not part of the inheritance Army doctor Ben Garrison expects to claim when he journeys to Hope Harbor. Fresh out of the service, he wants only to unload the tower of bricks, decompress from years of treating battlefield trauma, and prepare to launch his civilian career. Hope Harbor Herald editor Marci Weber has other ideas. She may not be a Hope Harbor native, but the small Oregon seaside town has become home--and she's determined to save the Pelican Point landmark. Sparks fly as the two go head to head over the fate of the lighthouse. But when they start to cooperate, a different kind of fire ignites. And as they work together, might Hope Harbor heal the hearts of these two romance-wary souls? Bestselling author Irene Hannon invites readers back to their favorite town for a story that will light a beacon of hope within their hearts.
The Hidden Mechanics of Exercise reveals the microworld of the body in motion, from motor proteins that produce force to enzymes that extract energy from food, and tackles questions athletes ask: What should we ingest before and during a race? How does a hard workout trigger changes in our muscles? Why does exercise make us feel good?
The July 6, 2013 Lac-Mégantic rail disaster is a tragedy unparalleled in Canadian history. It resulted in major loss of life, massive environmental destruction and the evisceration of a small Quebec town. Blame landed squarely on the shoulders of three front-line employees of the Montreal, Maine, and Atlantic Railway Company. But a jury acquitted them. Lac-Mégantic is the story of a rail industry writing its own rules, a booming US oil industry based on fracking, fighting any obstacles to selling their dangerous product, and a rogue US railway operator cutting corners to make his fortune. At another level the story is about a federal government blinded by its own free market ideology, fixa...