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The Marriage of Reason & Squalor
"In his first work of fiction, artist Jake Chapman slashes the romantic novel down to bare bone and constructs his own disfigured version from the slaughtered remains." "Chlamydia Love is gifted her very own tropical island by her fiance, where she develops a grudging adoration for its real owner, the enigmatic bestselling author, Helmut Mandragorass. A battle between her fiance and Helmut ensues, for ownership of the island and ultimately for the love of Chlamydia." "This mercilessly subversive tale is illustrated by Chlamydia's watercolours entitled Visions or Morass, images inspired by the island as she struggles with her feelings of agony and ecstasy."--BOOK JACKET.
Come and See
A resource for visual artists and tattoo artists alike, Come and See gathers a group of tattoo drawings and designs by Jake and Dinos Chapman (born 1966 and 1962) and invites the reader to become a Chapman work by having one of their designs done.
Chapmanworld
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Jake + Dinos Chapman
This catalogue documents an exhibition in Prague by English duo Jake and Dinos Chapman (born 1966 and 1962) and serves as a retrospective of the brothers' controversial oeuvre.
Jake and Dinos Chapman
Though the media has often focused exclusively on the shock value and use of horror effects in the work of Dinos and Jake Chapman, the artists have continued to address some of the most pertinent and controversial issues of our time: the endless human capacity for war, genetic manipulation, plastic surgery, cloning; the assumed asexuality and innocence of children; and the instability of moral and ideological belief systems. In this major exhibition catalogue is a more balanced critical response, including a variety of interpretations from leading writers and critics across different fields. Illustrating well-known and iconic works such as "Disasters of War" (1993) and "Great Deeds Against the Dead" (1994), the book also includes works that have rarely been reproduced before plus a number of new works created specifically for the accompanying Tate exhibition.
Introspastic
In his third novel, Jake Chapman returns to the parochial world of Chlamydia Love, the contagiously popular heroine from his first issue The Marriage of Reason & Squalor. Charged by The Someday Times to establish the truth about the rumoured rift between the Chapman brothers, she ventures deep into the hollow heart of the Cotswolds to interrogate the taller one, inadvertently revealing less than she intended. Illustrated with works from his solo exhibition, the book explores the value and meaning of art, laying bare the inner turmoil that ensues when an artist is required to work all by himself... Jake Chapmans latest novel has it all: love, loss, introspective nihilism plus breakdancing squirrels. Any reader seeking true insight into the fraternal bond at the heart of the Chapmans misunderstood work will find this book a massively insincere obstacle.
Jake & Dinos Chapman
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The End of Fun
Introduced with an exclusive essay by Will Self placing the eponymous sculpture The End of Fun in both the context of the Chapman's oeuvre and historical interpretations of Hell, this book is a detailed examination of the work. Completed in 2012, it is the latest incarnation of the brothers' famous Hell (1999), which was consumed in the MOMART fire of 2004. Following on in both layout and format from the book Fucking Hell (2008), The End of Fun consists of close-up photographs detailing the atrocities committed by the subjects of the work: thousands of miniature Nazis and skeletons, who seem to be engaged in an eternal battle across nine separate vitrines, arranged in the shape of a reverse swastika. Each dreadful scene is played out against a series of equally apocalyptic backdrops: a derelict factory; a concentration camp; a shattered church; an erupting volcano. Dark humour permeates: in one vitrine a still-smiling Ronald McDonald is being crucified; in another a dreadlocked Stephen Hawking grows marijuana; in yet another, seven separate Adolf Hitlers make distinctly 'degenerate' paintings of a nude, oblivious to the carnage raging around them.
Jake & Dinos Chapman
Cet ouvrage a été publié à l'occasion de l'exposition de Jake & Dinos Chapman à Modern Art Oxford du 12 avril au 8 juin 2003.
