You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
'There are moments', reflects Rhoda, one of Virginia Woolf s characters in The Waves, 'when the walls of the mind grow thin; when nothing is unabsorbed, and I could fancy that we might blow so vast a bubble that the sun might set and rise in it and we might take the blue of midday and the black of midnight and be cast off and escape from here and now'. Poetry is like Rhoda's bubble. From nothing, the poet fashions an entire world of meaning and sensation. Poets and readers enter that imaginary, frangible world to escape the 'here and now', and, since we must always return to the 'here and now', a good poem must equip us better to deal with, or understand, it. Whether it s the music in which ...
Who could have anticipated the vicissitudes of the last year? And while the stark changes in our lives were pulling us together as a society, as we coped with what was unfolding, the quieter, often isolated time that followed allowed many to focus on writing. Lockdowns across the country may have created all kinds of problems for different people, but one of the positives that seems to have been unlocked across our county, and very probably across the country, was our individual creative potential. These pages are just one example of those isolated endeavours coming together into a collective expression of individual experience. This anthology is an incredibly unique publication, not only for how it documents this strange moment in time, but more importantly for how it reminds us of our need to explore, unravel, pose ‘what-ifs’, in order to make sense of the world: and the benefits of writing for our own wellbeing.
The short stories in this Cheshire Prize for Literature anthology provide glimpses into our hopes, dreams, joys, fears and frailties, leaving us changed in some way. Like shifting patches of light on water, they invite us to stop, look and linger for a short time, to take away something we felt we always knew, but didn't know that we knew before.
What topic could be more meaningful to us as a species at this time? It affects us as individuals, as communities, and impacts all species locally and globally. Never has sustainability been more important as a concept than now, and quite probably will remain so long into the future. Never has change been so key in the survival of our collective future. The place of literature and the arts in this discussion is as vital as any scientific discovery too, as it is only through story and shared narrative that the necessary change in understanding will happen. Story, whether poetic or dramatic, is unique in that it is borne of a mind and yet has the power to transform and change the minds of others. This anthology has such stories and contains, for the first time, stories written by children alongside those written by adults. A timely reminder, one hopes, that it is an intergenerational approach that will craft a story of sustainability in which we can all believe as we strive for a positive environmental future.
A penguin sits calmly in a classroom, a past-it actor confronts a spectre, and air raid sirens ring out over the Mersey. Elsewhere, a lonely child prays to a dead pop star, a social misfit learns something important, a misanthrope is reformed by an unlikely companion, and a boy imagines beauty where others see only ugliness. This is Zoo, where the quotidian and the sublime are juxtaposed and where we can imagine ourselves momentarily, at least living the lives of others. As spectators we progress from one cage to another; as readers of the anthology we go from one story to the next, visiting some more than once, and finding meanings and associations which are, ultimately, unique. The Cheshire Prize for Literature was inaugurated in 2003 as the High Sheriff s Cheshire Prize for Literature. It is funded by Bank of America and administered by the University of Chester. The 2009 competition was for Short Stories and this collection contains 23 of the short-listed entries, including those of the eventual winners.
He is my miracle, says Sarah Frost Mellor's protagonist, of her lover, Joe: Found by accident, in the least likely of places. Sarah won the 2012 Cheshire Prize for Literature with her short story Udumbara in Lytham St Anne's, and it's in this modest seaside town that Lost and Found begins. Reading through the stories in this collection, the reader will find many things: surreal flotsam on a desolate beach; a love letter mislaid for decades; turns of phrase in a classroom; relationships shaped in unusual settings. But to find something means simultaneously to acknowledge the possibility of loss. And loss figures largely in the anthology, too: from beloved relatives, to despised spouses, and f...
The Cheshire Prize for Literature was inaugurated in 2003 as the High Sheriff's Cheshire Prize for Literature. The 2010 competition was for short stories and this collection contains 42 of the shortlisted entries.
None
The poems gathered in this anthology are not unlike small, yet hardy vessels navigating their way across choppy, hazardous waters. They take us with them over to the other side, and when we look back we can hardly believe the voyage we have made. Yet somehow they have kept us safe and brought us to a fresh understanding of our lives. There are many different kinds of poem to be found here, crossing back and forth, making a rich tapestry of voices, opening new ways into those areas which have always been the territory of poetry: love, death, nature, relationships, age, politics, and indeed poetry itself. They encompass a wide range of tone, from regretful to celebratory, lyrical to comic,dram...
None