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Summary: Final release of the English Poetry Full-Text Database, comprising works of c. 1,350 poets from 600-1900.
The Eclogues unfolds in an idyllic landscape shadowed by thwarted romance and civil war while the Georgics celebrates natural beauty, piety, family life, and the vitality of the Italian people.
The Great War has been largely ignored by historians of sport. However sport was an integral part of cultural conditioning into both physiological and psychological military efficiency in the decades leading up to it. It is time to acknowledge that the Great War also had an influence on sport in post-war European culture. Both are neglected topics. Sport, Militarism and the Great War deals with four significant aspects of the relationship between sport and war before, during and immediately after the 1914-1918 conflict. First, it explores the creation and consolidation of the cult of martial heroism and chivalric self-sacrifice in the pre-war era. Second, it examines the consequences of the ...
With the Eclogues, Virgil established his reputation as a major poet, and with the Georgics, he created a masterpiece of Latin poetry. Virgil drew upon the tradition of Greek pastoral poetry, importing it into an Italian setting and providing in these two works the model for subsequent European interpretations of the genre. The Eclogues unfolds in an idyllic landscape, under less-than-tranquil circumstances. Its shepherds tend their flocks amid not only the inner turmoil of unrequited love but also the external pressures of the civil war that followed Julius Caesar's assassination in 44 B.C. Forced from their homes, the dispossessed shepherds voice a heartfelt longing for peace. Dryden declared the Georgics "the best poem by the best poet," and through the ages, it has been much admired and imitated. A paean to Italy and the country's natural beauty, it rejoices in the values of rustic piety, the pleasures of family life, and the vitality of the Italian people.
These two volumes list late-and mid-Victorian poets, with brief biographical information and bibliographical details of published works. The major strength of the works is the 'discovery' of very many minor poets and their work, unrecorded elsewhere.
Edward FitzGerald's ‘Rubáiyát’, loosely based on verses attributed to the eleventh-century Persian writer, Omar Khayyám, has become one of the most widely known poems in the world, republished virtually every year from 1879 to the present day, and translated into over eighty different languages. And yet it has been largely ignored or at best patronized by the academic establishment. This volume sets out to explore the reasons for both the popularity and the neglect.
This collection of poetry about Mark Twain explores a neglected dimension in his critical and popular reception during a period of over seventy years. The three hundred and fifty published ballads, sonnets, limericks, lyrics, couplets, and quatrains, including some in dialect, run the gamut from the banal and piquant to the eloquent, from rhymes by anonymous poetasters to highbrow tributes. Organized chronologically by topic, the sections also indicate the frequency with which the poems were reprinted and the venues in which they appeared. Though they were pitched to entertain general readers, this gathering should also prove useful to teachers and scholars of American literature. In all, they trace the crests in Twain’s fame and contemporary popular reputation over the decades and silhouette his pervasive presence in literary circles around the world during the late-nineteenth and early-twentieth centuries.
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Emily Carr (1871-1945) is an iconic figure in Canadian culture, known internationally for her painting and her writing, which depicted the extraordinary British Columbia mountain landscape along with its indigenous inhabitants and their cultural iconography. Carr's writing career came later in her life, and as it developed, she met Ira Dilworth, the British Columbia Regional Director for CBC Radio who came to play a significant role in her life. Corresponding Influence is a collection of selected correspondence the two shared over the life of their friendship. Over the years, Dilworth acted variously as Carr's editor, writing agent, sounding board, professional and personal advisor, and most importantly, close friend and confidante. The letters provide a narrative for the latter part of Carr's life and illuminate the impression Dilworth made on the development of her writing. In addition to a critical introduction and annotation throughout, editor Linda Morra has included an unpublished story by Carr called "Small's Gold." Corresponding Influence will prove essential reading to anyone hoping to understand Emily Carr's extraordinary life and work.