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Even after sixty-four years of marriage my friends tell me I am brave to write my wife’s biography. However I have always worked on the principle that “fortune favours the brave” but anyway, what can go wrong? I mean, I don’t forget the date of her birthday and where she was born! Well, I can recite the story of how she expertly handled the mundane, the challenging ups and downs, the unexpected, and inexplicable vagaries of life while balancing her roles as a wife, mother of three, grandmother of six, teacher, co-director of a chemical company, elder of her church, philanthropist and avid tennis player. Nevertheless we shall not forget Shakespeare’s well-remembered prayer put on the lips of Hamlet’s guards: “Angels and ministers of grace, defend us ...” But yes, I will be brave, as Judy told me to be!
Set during the Reign of Terror following the start of the French Revolution. Sir Percy Blakeney, a wealthy English fop who transforms into a formidable swordsman and a quick-thinking escape artist- the Scarlet Pimpernel.
Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print...
Tom Taylor was one of the most successful and popular playwrights of the Victorian theatre. His plays are humorous and theatrically powerful, showing a social concern that was advanced for his times - particularly on matters such as the rehabilitation of criminals and corruption in public life. Taylor's work at the bar, in the civil service, and as a journalist and art critic inspired themes which he dramatized in more than seventy plays. Four of the best known are collected in this volume, the only edition of Taylor's works available. They are Still Waters Run Deep (1855), The Contested Election (1859), The Overland Route (1860) and the most popular, revived in modern productions at the National Theatre and the Victoria Theatre in Stoke, The Ticket-of-Leave Man (1863). Martin Banham discusses these and others in his introduction, and lists the original London cast at the beginning of each play. He provides a biographical record of Taylor's life and a list of all the principal plays. There are illustrations and a bibliography.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive t...
This new edition of The Keyed Bugle is an expansion rather than a revision of the first edition. The performance practice discussion has been extended to cater to the needs of the reader who wishes to learn the instrument. All chapters contain new information, and the chapters on Performers, Makers and Sellers have been extensively expanded. An additional chapter offers an explanation of the peculiarly distinct acoustics of keyed bugles and provides an analysis of construction styles employed by particular makers. After closely researching instruments that have been documented by the signatures of specific firms and comparing them with unmarked examples, the author enables readers to make confident observations on the nature of regional and manufacturer's styles. The new research in this area provides the groundwork for informed speculation about the origins of undocumented keyed bugles. This work puts the best of current research on the instrument into book form and provides the collector, performer, and serious music student with a clear picture of the instrument's history, repertoire, and technique.