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When we look at a painting hanging on an art gallery wall, we see only what the artist has chosen to disclose--the finished work of art. What remains mysterious is the process of creation itself--the making of the work of art. Everyone who has looked at paintings has wondered about this, and numerous efforts have been made to discover and depict the creative method of important artists. A Giacometti Portrait is a picture of one of the century's greatest artists at work. James Lord sat for eighteen days while his friend Alberto Giamcometti did his portrait in oil. The artist painted, and the model recorded the sittings and took photographs of the work in its various stages. What emerged was an illumination of what it is to be an artist and what it was to be Giacometti--a portrait in prose of the man and his art. A work of great literary distinction, A Giacometti Portrait is, above all, a subtle and important evocation of a great artist.
The work of one of the towering creative spirits of the century, Alberto Giacometti's visionary sculptures and paintings from a testament to the artist's intriguing life story. From modest beginnings in a Swiss village, Giacometti went on to flourish in the picturesque milieu of prewar Paris and then to achieve international acclaim in the fifties and sixties. Picasso, Balthus, Samuel Beckett, Stravinsky and Sartre have parts in his story, along with flamboyant art dealers, whores, shady drifters, unscrupulous collectors, poets and thieves. Women were a complex yet important element of his life--particularly his wife, Annette, and his last mistress and model, Caroline--as was the intimate re...
A powerful story of sexual awakening during the Second World War, My Queer War, from the noted memoirist and critic James Lord tells the story of a young man's exposure to the terrors, dislocations, and horrors of armed conflict. In 1942, a timid, inexperienced twenty-one-year-old Lord reports to Atlantic City, New Jersey, to enlist in the U.S. Army. His career in the armed forces takes him to Nevada, California, Boston, England, and, eventually, France and Germany, where he witnesses firsthand the ravages of total war on Europe's land and on its people. Along the way he comes to terms with his own sexuality, experiences the thrill of first love and the chill of disillusionment with his fellow man, and in a moment of great rashness makes the acquaintance of the world's most renowned artist, who will show him the way to a new life. My Queer War is a rich and moving record of one man's maturation in the crucible of the greatest war the world has known. If his war is queer, it is because each man's experience is strange in its own way. His is a story of universal significance and appeal, told by a wry and eloquent observer of the world and of himself.
"Space does not exist," the Swiss sculptor Alberto Giacometti (1901-1966) wrote in 1949. "It has to be created... Every sculpture made on the assumption that space exists is wrong, there is only the illusion of space." This fascinating statement serves as a conceptual underpinning for Hatje Cantz's new appraisal of the artist's mature work. Giacometti's emaciated sculptures have long been seen as symbols of a newly anxious, frail humanity. But more recently, attention has come to focus on the relevance of his work for contemporary considerations of space and time. Alberto Giacometti: The Origin of Space supplies a comprehensive overview of the later works of this lastingly influential artist, presenting 200 color images of sculptures, paintings and drawings.
The author looks at portraits of himself by such artists as Picasso, Jean Cocteau, and Alberto Giacometti, describing the circumstances surrounding the creation of each portrait and his experiences as a model.
"The war is over, the RAF uniform has been handed in and James Herriot goes back to where he ought to be - at work in the dales around Darrowby. ... Much has changed, but the blunt-spoken Yorkshie folk and the host of four-legged patients are still the same. So is their vet, who doesn't yet know that literary success is just around the corner ..."--Back cover.
The Swiss artist Alberto Giacometti (1901-66) was arguably the greatest sculptor of the twentieth century. He was also--as James Lord persuasively argued in Giacometti: A Biography--a heroic figure whose vocation sustained him through a life of crippling anxiety and erotic guilt. Almost twenty years after it first appeared, Giacometti has attained the status of a classic, one of the most candid and complete biographies of an artist in our time. In Mythic Giacometti, Lord reveals the hidden "blueprint" of that work: a daringly literal, visionary interpretation of the myth of Oedipus as it affected the conduct and outcome of Giacometti's life. The result is a case study both in the development of an artist and in the writing of biography. Lord concentrates on the private totems of Giacometti's life-family legend, childhood memory, illness and injury, crucial sexual encounters, intimations of mortality-that amounted, in Lord's view, to signs of a tragic destiny directly linked to the central tragedy of Western literature.
Lord continues his series of enthralling, revealing, and sensitively wrought memoirs with a group of intimate portraits of some of this century's most successful promoters of the arts. Among those profiled are Henry McIlhenny, Isabel Rawsthorne, Peggy Guggenheim, and Ethel Bliss Platt. Photos.
Commenting upon the nature of friendship, loyalty, patronage, creativity, and moral courage the author explores the lives of Gertrude Stein, Alice B. Toklas, Arletty, Marie-Laure de Noailles, Errieta Perdididi, and Louise Bennett Lord. "Lord is a witty and elegant writer, catching the foibles and virtues of his subjects and chronicling his own succession of lovers with matter-of-fact precision. He is a gentle and literate companion; his book, a deeply affectionate reminiscence of friendships." - Publishers Weekly