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"This broad-ranging study is the first book-length treatment in English or any other European language of Chinese travel literature (youji) as a genre. The material addressed, most of which was written by members of the scholar-official class, extends from the Six Dynasties period (220-581), when the essential, characteristic elements of prose travel literature in China emerged, to fluorescence in the late Ming dynasty (1368-1644), after which the tremendous physical expansion of the Chinese empire fundamentally changed the nature of travel. James Hargett identifies and examines the works that constitute the core of China's travel-literature tradition and traces the dynamic process through w...
Located in a remote area of modern Sichuan province, Mount Emei is one of China's most famous mountains and has long been important to Buddhists. Stairway to Heaven looks at Emei's significance in Chinese history and literature while also addressing the issue of "sense of place" in Chinese culture. Mount Emei's exquisite scenery and unique geographical features have inspired countless poets, writers, and artists. Since the early years of the Song dynasty (960–1279), Emei has been best known as a site of Buddhist pilgrimage and worship. Today, several Buddhist temples still function on Emei, but the mountain also has become a scenic tourist destination, attracting more than a million visito...
Endymion Wilkinson's bestselling manual of Chinese history has long been an indispensable guide to all those interested in the civilization and history of China. In this latest edition, now in a bigger format, its scope has been dramatically enlarged by the addition of one million words of new text. Twelve years in the making, the new manual introduces students to different types of transmitted, excavated, and artifactual sources from prehistory to the twentieth century. It also examines the context in which the sources were produced, preserved, and received, the problems of research and interpretation associated with them, and the best, most up-to-date secondary works. Because the writing of history has always played a central role in Chinese politics and culture, special attention is devoted to the strengths and weaknesses of Chinese historiography.
Fan Chengda (1126-1193) was a high-ranking Chinese government official in Guangxi, an experienced traveler, a keen observer, and a gifted writer. His observations on a wide range of subjects are always interesting and revealing, and constitute an important contribution to the literature on Song dynasty China’s frontier peoples. Originally written in direct, unadorned, and allusion-free classical Chinese prose, the complete and annotated English translation of Treatises of the Supervisor and Guardian of the Cinnamon Sea (Guihai yuheng zhi) captures its charm and significance.
A new look at the life, times, and work of the great Tang dynasty poet, Wen Tingyun, that rebuts the negative aspects of his reputation. Translations of a number of his works are included.
This is the first complete study of China's most popular eighteenth-century poet in any Western language. The work consists of a detailed biography, a study of Yuan's revolutionary reinterpretation of Chinese literary theory, and an analysis of his many contributions to the more original genres of Qing-dynasty (1644-1911) poetry such as narrative, historical, didactic, eccentric, and nature verse. The study is concluded by a generous and representative sampling of Yuan's poetry in translation, the first to do justice to the wide variety and richness of his oeuvre. Although many shorter poems are selected, this is the first translation to include his outstanding longer poetry. Harmony Garden will completely revise current attitudes in the west concerning classical Chines literature during the eighteenth century, a period that was long viewed as one of decline, but now appears to equal the golden ages of antiquity.
This book presents the first translation into English of the full text of the Kaogong ji. This classic work, described by the great scholar of the history of Chinese science and technology Joseph Needham as "the most important document for the study of ancient Chinese technology", dates from the fifth century BC and forms part of the Zhouli (The Rites of the Zhou Dynasty), one of the great Confucian classics. The text itself describes the techniques of working and the technologies used by over twenty different kinds of craftsmen and artificers, such as metal workers, chariot makers, weapon makers, music instrument makers, potters and master builders. This edition, besides providing the full text in English, also provides a substantial introduction and other supporting explanatory material, over one hundred illustrations of ancient Chinese artefacts, and the original Chinese text itself.
Until now, China has been scarcely represented in the burgeoning comparative literature on pilgrimage. This volume remedies that omission, discussing the interaction between pilgrims and sacred sites from the tenth century to the present. From the perspectives of literature, art, history, religion, politics, and anthropology, the essays focus on China's most famous pilgrimage mountains as well as lesser known sites.
A highly readable and engaging survey of China's history from the tenth through the mid-fourteenth centuries.
This book argues that Gao Xingjian's Idea of Theatre can only be explained by his broad knowledge and use of various Chinese and Western theatrical, literary, artistic and philosophical traditions. The author aims to show how Gao's theories of the theatre of anti-illusion, theatre of conscious convention, of the "poor theatre" and total theatre, of the neutral actor and the actor - jester - storyteller are derived from the Far Eastern tradition, and to what extent they have been inspired by 20th century Euro-American reformers of theatre such as Antonin Artaud, Bertolt Brecht, Vsevolod Meyerhold, Jerzy Grotowski and Tadeusz Kantor. Although Gao' s plays and theatre form the major subject, this volume also pays ample attention to his painting and passion for music as sources of his dramaturgical strategies.