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The modern-day vampire story has its roots in an unlikely source: cheap paper pamphlets that were sold on street corners in Victorian England. Called "penny dreadfuls," these pamphlets strung out sensationalized tales over dozens – and sometimes even hundreds – of episodes. Varney the Vampire is a classic of the genre, and many of the elements of classic vampire lore originated in this sprawling, deliciously pulpy tale.
Venture into Fleet Street and discover the dark side of Victorian London where you'll encounter the demon barber Sweeney Todd and his menacing accomplice Mrs Lovett in this classic thriller. Gruesome mysteries are uncovered when Lieutenant Thornhill goes missing after entering Todd's barber shop for a haircut. Londoners are disappearing, Todd's young apprentice Tobias is subject to constant fear and abuse, and the barber's grows more peculiar as the days go by. Menace and murder abounds in this terrifying tale where criminals hide in plain sight and threaten to harm anyone who could get in the way of their schemes. Famously adapted to the big screen by Tim Burton, Sweeney Todd is a classic of British horror writing and its legendary villain remains iconic this day.
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James Malcolm Rymer, Penny Fiction, and the Family is the first monograph focusing on Sweeney Todd and Varney the Vampyre's creator James Malcolm Rymer (1814-84) and an essential contribution to Victorian, Gothic, and working-class literary studies. It argues that Rymer wrote his so-called 'penny bloods' and 'dreadfuls' for and about British urban working families. In the 1840s, the notion of the family acquired unprecedented prominence and radical potential. Raised in an artisanal artistic-literary family, Rymer responded by writing for and about urban working families. Editing family magazines early in that genre's history, he deployed Chartist domesticity to liberal ends and collaborated ...
Varney the Vampire Or the Feast of Blood is a horror story by Thomas Peckett Prest. Structured in different episodes, these are classic tales of blood sucking horrors at midnights, for fans of the genre.
James Malcolm Rymer, Penny Fiction, and the Family is the first monograph focusing on Sweeney Todd and Varney the Vampyre’s creator James Malcolm Rymer (1814–1884). It argues that Rymer wrote his so-called ‘penny bloods’ and ‘dreadfuls’ for and about British urban working families. In the 1840s, the notion of the family acquired unprecedented prominence and radical potential. Raised in an artisanal artistic-literary family, Rymer wrote for and edited family magazines early in that genre’s history, deployed Chartist domesticity to liberal ends, and collaborated with cheap publisher Edward Lloyd to define and popularise the domestic romance genre. In 1850s–1860s penny serials p...
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1862 edition. Excerpt: ...muttered Warringdale;--" you, whose whole life has heen an out. rage to it--you, a rohher" "Peace! peace I Yon are in danger, Lord Warringdale, and ahase the liherty of speech. Ogle, listen to me, and take my exact orders." "I will, Captain." "We are now ahout to make a march on Newgate." "All right!" "And it is proper and necessary that we should take my Lord Warringdale with ns. Yon will depute two of the men on whom yon can depend to take charge of him, with fall ins...
VARNEY THE VAMPIRE OR THE FEAST OF BLOOD Part One. A ROMANCE OF EXCITING INTEREST James Malcolm Rymer AUTHOR OF "GRACE RIVERS, OR, THE MERCHANT'S DAUGHTER." The classic 1847 Victorian Serial by James Malcolm Rymer Varney the Vampire first appeared in weekly 'penny dreadful' installments which were gathered into a complete volume in 1847, the year Bram Stoker was born. Sold for a penny a chapter on the streets of London in 1845, Varney the Vampire is a milestone of Vampire fiction, yet ignored and overlooked for nearly 100 years, until now! For a decade or two it was enormously popular and extracts have appeared in vampire anthologies ever since. And almost certainly it inspired Stoker to write Dracula.
Gothic novels tell terrifying stories of patriarchal societies that thrive on the oppression or even outright sacrifice of women and others. Donna Heiland’s Gothic and Gender offers a historically informed theoretical introduction to key gothic narratives from a feminist perspective. The book concentrates primarily on fiction from the 1760s through the 1840s, exploring the work of Horace Walpole, Clara Reeve, Sophia Lee, Matthew Lewis, Charlotte Dacre, Charles Maturin, Ann Radcliffe, William Godwin, Mary Wollstonecraft, Mary Shelley, John Polidori, James Malcolm Rymer, Emily Brontë, Charlotte Brontë, Charlotte Smith, and Charles Brockden Brown. The final chapter looks at contemporary fic...
Brandon Castle is full of mysteries and terrors Lonely candles give feeble light to the eerie chill of the castle's endless hallways. Winding staircases descend into damp crypts of discarded skeletons while rat-infested secret passages lead to satanic altars. Towering over the castle's dank moat is the mysterious Grey Turret. Filled with legends of shadowy ghosts and terrifying demons, its only door has been locked for centuries. Until now. Someone has discovered the key and wants the terrifying power locked away in the Grey Turret. Who dares to defy the legend of the Grey Turret? Agatha? Hungry for power, nothing can stand in her way Eldred? Her nervous brother, the perfect foil for a murde...