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Black Winning Jockeys in the Kentucky Derby
Oliver Lewis was champion jockey of the Kentucky Derby in 1875 with a winning race time of two minutes and 37 seconds. Jockey Willie Simms won in 1896, bringing his horse in at two minutes and seven seconds. James Winkfield was the winning jockey in both 1901 and 1902 with winning race times of two minutes and seven seconds and two minutes and eight seconds, respectively. Each of these men possessed the skill and power necessary to spur a horse to glorious victory. All are members of the small, select group of Derby-winning jockeys who were African Americans. The stakes were high: Black jockeys who won a race in the late 1700s and 1800s sometimes won freedom from slavery as well. This work examines the presence of black jockeys in the Kentucky Derby, from the first instance of slaves working as stable hands and tending their masters’ horses to the first black jockey to win the prestigious Kentucky Derby in 1875 and the continued participation of black jockeys in the Kentucky Derby. Black owners and trainers in the Kentucky Derby are also discussed. Three appendices list black winning jockeys, black trainers and black owners of Kentucky Derby horses.
Urban Renewal and the End of Black Culture in Charlottesville, Virginia
From the 1920s through the 1950s, the center of black social and business life in Charlottesville, Virginia, was the area known as Vinegar Hill. But in 1960, noting the prevalence of aging frame houses and “substandard” conditions such as outdoor toilets, voters decided that Vinegar Hill would be redeveloped. Charlottesville’s black residents lost a cultural center, largely because they were deprived of a voice in government. Vinegar Hill’s displaced residents discuss the loss of homes and businesses and the impact of the project on black life in Charlottesville. The interviews raise questions about motivations behind urban renewal. Instructors considering this book for use in a course may request an examination copy here.
Howard Frank Mosher and the Classics
Howard Frank Mosher has spent the greater part of his career depicting a relatively isolated section of Vermont known as the Northeast Kingdom. Yet, even as he writes about that particular area in the Green Mountain State, he is investigating age-old themes from among the best English and American literary works. His first novel, Disappearances (1977), signaled the arrival of a master craftsman harkening us back to Melville's Billy Budd and Moby-Dick, in terms of humankind's struggle against an ever present evil. A full 33 years after the publication of his first novel, the Vermont author, in Walking to Gatlinburg (2010), examined the polarity between cowardice and honor. In the intervening years, between Disappearances and Gatlinburg, Mosher explored crucial matters such as the disappearing wilderness, industrialization, black male/white female encounters, the necessity of humor, the quest for salvation, and the immortality of romantic love, all issues that he delved into as he staked out a unique terrain within the pantheon of Bunyan, Shakespeare, Dreiser, Twain, Faulkner, Steinbeck, Harper Lee, and others.
The Dorothy West Martha's Vineyard
This book is a compilation of selected stories, essays, and reminiscences that Dorothy West wrote for the Vineyard Gazette from the 1960s to the early 1990s. In these entries, West retraces life on the island as she experienced it from 1908, when she was an infant, to 1993 when she wrote her final column. Born in 1907 in Boston, Dorothy West went on to develop into a prize-winning author by the time she was in her teens. The 1926 award she received in New York, and the lure of the city itself, inspired West to leave Boston and join what was then a fledgling literary movement that would evolve into the Harlem Renaissance. She circulated among what in essence was the black literary "royalty" o...
The Wayward Preacher in the Literature of African American Women
In African American culture the preacher has traditionally held many roles: minister of faith, orator, politician, idealist, and most importantly, leader. But the preacher was also traditionally male, and in many ways this advanced the perception that African American women were incapable of questioning the authority of black men. Nella Larsen, Zora Neale Hurston, Paule Marshall, Gloria Naylor, and Terry McMillan wrote of flawed African American preachers, empowering their female characters by exposing the notion of the black preacher as beyond reproach. The writings of these five women warn African American women--and society as a whole--of the power of the religious functionaries who insist that the self must be virtually obliterated in order for salvation to be attained.
Retreat
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Yes to Europe!
The first modern history of the 1975 European referendum, ranging across 1970s Britain to assess why voters said 'Yes to Europe'.
Tightrope Walk
Examines the challenges faced by Blacks working in predominantly White corporations, through the perspective of African American writers who have chronicled the struggle. Explores the works of Ralph Ellison, Gloria Naylor, Brent Wade, Ishmael Reed, Jill Nelson, and Bebe Campbell. What unites these writers is their depiction of the terrible emotional and moral price demanded of Blacks in White working environments. Annotation copyrighted by Book News, Inc., Portland, OR
U. S. Army Register
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Air Force Register
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