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Screening Nature
Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed “posthuman cinema.” It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. Screening Nature offers an extensive resource for teachers, undergraduate students, and more advanced scholars on the intersections between the natural world and the worlds of film. It emphasizes the cross-cultural and geographically diverse relevance of the topic of cinema ecology.
Power of Positive Leadership
Are you the One? Can you change the world? Everyone, whether in their professional life or family life is a leader. As a leader are you ready to take the POP Challenge? The Power Of Positive Leadership challenges you to reflect on your personal attitude, focus, and understanding of the importance of growing yourself so that you can grow others to strengthen your team and grow a positive atmosphere. You can be the one to change the world of those you serve and lead. Scott Benning developed POP Leadership during his journey of learning and leading in the United States Navy. He started out as one of the most junior enlisted Sailors and retired at the end of his thirty-year career as one of the ...
Cold War Canada
The Cold War was initiated in Canada in 1945 by the dramatic defection of Igor Gouzenko, a Soviet cipher clerk. This event marked the start of over four decades of muted conflict between the Soviet Union and the West and became a major element of public life in Canada. This book examines the response of the Canadian government to these events and the systematic repression of communists and the Left, directed at civil servants, scientists, trade unionists, and political activists. These campaigns were undertaken in a secrecy imposed by the government, and supported by the RCMP security services. It also discusses the development of Canada's Cold War policy, the emergence of the new security state, and the deepening political alignment of Canada with the United States.
The Garden in the Machine
"This book is MacDonald's magnum opus: it represents a deep immersion in and advocacy for independent, experimental cinema."—Patricia R. Zimmerman, author of States of Emergency: Documentaries, Wars, Democracies "This is a brilliant study--learned, authoritative, and often eloquent. One reads this book with astonishment at the wealth of thoughtful and playful and provocative work that has occurred in this medium--and astonishment too that most scholars of environmental literature and nature in the visual arts have had minimal contact with independent film and video. MacDonald provides an immensely valuable, readable overview of this field, profoundly relevant to my own work and that of man...
The Secret Keeper
A cloth bag containing ten copies of the title.
A Critical Cinema
Annotation. This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.
Film International
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