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The aim of this study is to increase understanding of folk music within an historical, European framework, and to show the genre as a dynamic and changing art form. The book addresses a plethora of questions through its detailed examination of a wide range of music from vastly different national and cultural identities. It attempts to elucidate the connections between, and the varying development of, the music of peoples throughout Europe, firstly by examining the ways in which scholars of different ideological and artistic ambitions have collected, studied and performed folk music, then by investigating the relationship between folk and popular music. Jan Ling is Professor of Musicology at Göteborg University, Sweden.
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Joseph H. Greenberg is a towering figure in late twentieth century linguistics. His major contributions in the field have been in the area of typology and universals, virtually launched by his paper on word order universals, and in diachronic linguistics. The major thrust of Greenberg's work in the past three decades has been in the fusion of these two approaches to linguistic explanation into one, diachronic typology, the cross-linguistic analysis of languages as dynamic systems.This volume honors Greenberg on the occasion of his 75th birthday. It opens with an introduction discussing Greenberg's work at length and a full bibliography of his publications. It contains ten papers in typology, diachronic theory and diachronic typology by some of the leading linguists working in the research tradition inspired by Greenberg's work.
A disloyal Air Corp mechanic, a spy seeking to steal U.S. Army uniforms, POWs, and a grieving father with a shotgun bring WWII into the middle of Chaz and Irene’s budding romance. How they meet these challenges shapes the rest of their lives.
Hui-neng, the patriarchal ancestor of all existing Ch'an/Zen, was invented by Shen-hui (684-758) based on a fusion of Buddhist and Confucian themes. This propaganda led to the creation of a large hagiographical literature that determined the trajectory of Ch'an.