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Oral Tradition as History
Although written by a leading historian of Africa, Vansina's work on oral traditions ranges far beyond Africa, so has a wider relevance. Vansina explains not only how oral traditions have been used in the past but also how they should be used by historians in their research. North America: University of Wisconsin Press; Kenya: EAEP
Living with Africa
In 1952, a young Belgian scholar of European medieval history traveled to the Belgian Congo (now Zaire) to live in a remote Kuba village. Armed with a smattering of training in African cultures and language, Jan Vansina was sent to do fieldwork for a Belgian cultural agency. As it turned out, he would help found the field of African history, with a handful of other European and African scholars. "I'm not an ethnologist, I'm a historian!" Vansina was to repeat again and again to those who assumed that people without written texts have no history. His discovery that he could analyze Kuba oral tradition using the same methods he had learned for interpreting medieval dirges was a historiographic...
Oral Tradition
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Antecedents to Modern Rwanda
To understand the genocide and other dramatic events of Rwanda’s recent past, one must understand the history of the earlier realm. Jan Vansina provides a critique of the history recorded by early missionaries and court historians and provides a bottom-up view, drawing on hundreds of grassroots narratives. He describes the genesis of the Hutu and Tutsi identities, their growing social and political differences, their bitter feuds, revolts, and massacres, and the relevance of this dramatic history to the post-genocide Rwanda of today. 2001 French edition, Katharla Publishers
Being Colonized
What was it like to be colonized by foreigners? Highlighting a region in central Congo, in the center of sub-Saharan Africa, Being Colonized places Africans at the heart of the story. In a richly textured history that will appeal to general readers and students as well as to scholars, the distinguished historian Jan Vansina offers not just accounts of colonial administrators, missionaries, and traders, but the varied voices of a colonized people. Vansina uncovers the history revealed in local news, customs, gossip, and even dreams, as related by African villagers through archival documents, material culture, and oral interviews. Vansina’s case study of the colonial experience is the realm ...
Paths in the Rainforests
Vansina’s scope is breathtaking: he reconstructs the history of the forest lands that cover all or part of southern Cameroon, Gabon, Equatorial Guinea, the Congo, Zaire, the Central African Republic, and Cabinda in Angola, discussing the original settlement of the forest by the western Bantu; the periods of expansion and innovation in agriculture; the development of metallurgy; the rise and fall of political forms and of power; the coming of Atlantic trade and colonialism; and the conquest of the rainforests by colonial powers and the destruction of a way of life. “In 400 elegantly brilliant pages Vansina lays out five millennia of history for nearly 200 distinguishable regions of the fo...
How Societies Are Born
Like stars, societies are born, and this story deals with such a birth. It asks a fundamental and compelling question: How did societies first coalesce from the small foraging communities that had roamed in West Central Africa for many thousands of years? Jan Vansina continues a career-long effort to reconstruct the history of African societies before European contact in How Societies Are Born. In this complement to his previous study Paths in the Rainforests, Vansina employs a provocative combination of archaeology and historical linguistics to turn his scholarly focus to governance, studying the creation of relatively large societies extending beyond the foraging groups that characterized ...
Art History in Africa
This is a pioneering introduction to a subject that is still at an early srage of academic development. It aims to provide the reader with a systematic method for the historical understanding of African art. Professor Vansina considers the medium, technique, style and meaning of art objects and examines the creative process through which they come into being. Numerous photographs and drawings illustrate his arguments, and help to explain the changes that have taken place.
Through the Day, Through the Night
One of twelve children in a close-knit, affluent Catholic Belgian family, Jan Vansina began life in a seemingly sheltered environment. But that cocoon was soon pierced by the escalating tensions and violence that gripped Europe in the 1930s and 1940s. In this book Vansina recalls his boyhood and youth in Antwerp, Bruges, and the Flemish countryside as the country was rocked by waves of economic depression, fascism, competing nationalisms, and the occupation of first Axis and then Allied forces. Within the vast literature on World War II, a much smaller body of work treats the everyday experiences of civilians, particularly in smaller countries drawn into the conflict. Recalling the war in Be...
