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The Institution of the Hasmonean High Priesthood
In The Institution of the Hasmonean High Priesthood, Vasile Babota offers an interdisciplinary study of the establishment of the Hasmonean priests as high priests in Jerusalem, from their revolt in 167 down to 140. The Hasmonean high priests exercised both religious and civil powers until 37 B.C.E. and some acted also as kings. Previous studies looked at them mainly from a biblical /Jewish perspective. Vasile Babota persuasively argues that the first high priests Jonathan and Simon acted as Hellenistic high priestly rulers. This conclusion is based on an analysis of the activity of the high priests Jonathan and Simon on internal and external levels, a comparison with earlier Jewish high priests, and a comparison with Hellenistic (Seleucid and Ptolemaic) high priests.
Did God Care?
Is God involved? Why do bad things happen to good people? What is up to us? These questions were explored in Mediterranean antiquity with reference to ‘providence’ (pronoia). In Did God Care? Dylan Burns offers the first comprehensive survey of providence in ancient philosophy that brings together the most important Greek, Latin, Coptic, and Syriac sources, from Plato to Plotinus and the Gnostics. Burns demonstrates how the philosophical problems encompassed by providence transformed in the first centuries CE, yielding influential notions about divine care, evil, creation, omniscience, fate, and free will that remain with us today. These transformations were not independent developments of ‘Pagan philosophy’ and ‘Christian theology,’ but include fruits of mutually influential engagement between Hellenic and Christian philosophers.
Plaster Casts
This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists’ workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists’ use of material and technique include ancient Roman copyists, Renaissance sculptors...
Art of the Hellenistic Kingdoms
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeo...
Apocalypse Against Empire
The year 167 B.C.E. marked the beginning of a period of intense persecution for the people of Judea, as Seleucid emperor Antiochus IV Epiphanes attempted -- forcibly and brutally -- to eradicate traditional Jewish religious practices. In Apocalypse against Empire Anathea Portier-Young reconstructs the historical events and key players in this traumatic episode in Jewish history and provides a sophisticated treatment of resistance in early Judaism. Building on a solid contextual foundation, Portier-Young argues that the first Jewish apocalypses emerged as a literature of resistance to Hellenistic imperial rule. In particular, Portier-Young contends, the book of Daniel, the Apocalypse of Weeks, and the Book of Dreams were written to supply an oppressed people with a potent antidote to the destructive propaganda of the empire -- renewing their faith in the God of the covenant and answering state terror with radical visions of hope.
The Maussolleion at Halikarnassos: The sacrificial deposit
Maussolleion at Halikarnassos, Volume 1 - Reports of the Danish Archaeological Expedition to Bodrum -- The Sacrifical Deposit
The Middle East Under Rome
The ancient Middle East was the theater of passionate interaction between Phoenicians, Aramaeans, Arabs, Jews, Greeks, and Romans. At the crossroads of the Mediterranean, Mesopotamia, and the Arabian peninsula, the area dominated by what the Romans called Syria was at times a scene of violent confrontation, but more often one of peaceful interaction, of prosperous cultivation, energetic production, and commerce--a crucible of cultural, religious, and artistic innovations that profoundly determined the course of world history. Maurice Sartre has written a long overdue and comprehensive history of the Semitic Near East (modern Syria, Lebanon, Jordan, and Israel) from the eve of the Roman conqu...
The Classical Heritage in Nordic Art and Architecture
This volume contains eighteen articles dealing with the "reception" of Classical art and architecture in the Scandinavian countries, mainly Denmark, from the Renaissance onwards. This volume is the publication of an interdisciplinary seminar held at the University of Copenhagen 1988 with the participation of archaeologists and art historians.
If Sons, Then Heirs
Christianity is widely understood to be a "universal" religion that transcends the particularities of history and culture, including differences related to kinship and ethnicity. In traditional Pauline scholarship, this portrait of Christianity has been justified by the letters of Paul. Interpreters claim that Paul eliminates ethnicity, or at least separates it from what is important about Christianity. This study challenges that perception. Through a detailed examination of kinship and ethnic language in Paul's letters, Johnson Hodge argues that notions of peoplehood and lineage are not rejected or downplayed by Paul; instead they are central to his gospel. Paul's chief concern is the statu...
Johannes Wiedewelt
In the latter half of the 18th century, Johannes Wiedewelt (1731-1802) played a pivotal role in introducing an early form of Neoclassicism into Danish sculpture by creating a large number of monuments for many different purposes. In the 1750s, he studied in Paris and Rome, where he became part of an international network of pioneering artists and scholars, including J.J. Winckelmann. In Denmark, Wiedewelt endeavored to translate the ancient idiom in statuary and monuments into an 'eternal' national monument style. This volume reassesses Wiedewelt's role in the service of art, art theory, academic education, design, etc. Special emphasis is placed on his studies of Classical Antiquity and Danish prehistoric and medieval monuments, which makes him particularly interesting for the history of archaeology. This is the first book-length study of Johannes Wiedewelt in English.
