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The readiness of families such as this to write directly, rather than to dictate through secretaries, makes the literary outcome more personal and intimate, more expressive of inner feelings and shared sensibility. In consequence, the letters carry their own truth across the ages."
* Fascinating and revealing case-histories reflect changing attitudes of the time towards love, marriage, and divorce * Completes Lawrence Stone's acclaimed trilogy on marriage and family life * Offers compelling insights into daily life and marital conduct from the mid-17th to the mid-19th century
Patrick Parrinder traces English prose fiction from its late medieval origins through its stories of rogues and criminals, family rebellions and suffering heroines, to the contemporary novels of immigration. He provides both a comprehensive survey and a new interpretation of the importance of the English novel.
Lawrence Stone is one of the world's foremost historians. In such widely acclaimed volumes as The Crisis of the Aristocracy, The Family, Sex and Marriage in England and The Open Society, he has shown himself to be a provocative and engaging writer as well as a master chronicler of English family life. Now, with Road to Divorce, Stone examines the complex ways in which English men and women have used, twisted, and defied the law to deal with marital breakdown. Despite the infamous divorce of Henry VIII in 1529, Britons before the 20th century were predominantly, in Stone's words, "a non-divorcing and non-separating society." In fact, before divorce was legalized in 1857, England was the only ...
This "Supplement to Genealogies in the Library of Congress" lists all genealogies in the Library of Congress that were catalogued between 1972 and 1976, showing acquisitions made by the Library in the five years since publication of the original two-volume Bibliography. Arranged alphabetically by family name, it adds several thousand works to the canon, clinching the Bibliography's position as the premier finding-aid in genealogy.
This volume offers a unique contribution to both postcolonial studies and Austen scholarship by: * examining the texts to illumine nineteenth century attitudes to colonialism and the expanding Empire * revealing a new range of interpretations of Austen's work, each shaped by the critic's particular context * exploring the ways in which the study of Austen's novels raises fresh issues for post-colonial criticism. Bringing together work by highly-respected critics from four continents and a range of disciplines, this newly paperbacked volume allows sometimes surprising and always fascinating new insights into some of the most frequently studied - and best loved - novels in the English language.
This study of correspondence in the Romantic period calls into question the common notion that letters are a particularly 'romantic', personal, and ultimately feminine form of writing.
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Varied images of women studied in a variety of German texts as a springboard for plot or character. A man looks at the portrait of a woman and then sets out to 'liberate'her and make her his own (Die Zauberflöte, Maria Stuart); an oldman, while looking at the picture of his youthful beloved, reminiscesabout his failedcourtship (Storm's Immensee). These are just twoof many uses of art works depicting women discussed in this book. Theart work can displace the living woman as in Hauff's 'Die Bettlerinvom Pont des Arts', in Jensen's 'Gradiva', and in Schimmang's'Intimität'. A man looking at a painting of himself (E. T. A.Hoffmann's Die Fermate) or a man looking at a sculpture comes toappreciate the beauty of the female figure, both in art and life(Stifter's Der Nachsommer). The innovative approach, which in part goes back to theories developed by Lessing in his Laokoon, yields, via a close reading of a variety of the texts, new insights into their structure and meaning.