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This book is an historical survey of women’s sport from 1850-1960. It looks at some of the more recent methodological approaches to writing sports history and raises questions about how the history of women’s sport has so far been shaped by academic writers. Questions explored in this text include: What are the fresh perspectives and newly available sources for the historian of women’s sport? How do these take forward established debates on women’s place in sporting culture and what novel approaches do they suggest? How can our appreciation of fashion, travel, food and medical history be advanced by looking at women’s involvement in sport? How can we use some of the current ideas and methodologies in the recent literature on the history and sociology of sport in order to look afresh at women’s participation? Jean Williams’s original research on these topics and more will be a useful resource for scholars in the fields of sports, women’s studies, history and sociology.
The basis for the hit TV show Mr Selfridge In 1909, the largest department store in London's West End, designed and built from scratch, opened in Oxford Street in a glorious burst of publicity. The mastermind behind the façade was American retail genius Harry Gordon Selfridge: maverick businessman, risk-taker, dandy and one of the greatest showmen the retail world has ever known. His talents were to create the seduction of shopping, and as his success and fame grew, so did his glittering lifestyle: mansions, yachts, gambling, racehorses - and mistresses. From the glamour of Edwardian England, through the turmoil of the Great War and the heady excesses of the 1920s and beyond, Selfridges Department Store was 'a theatre with the curtain going up at 9 o'clock each morning'. Mr Selfridge reveals the captivating story of the rise and fall of the man who revolutionised the way we shop. 'Lively and entertaining' Sunday Telegraph 'Will change your view of shopping forever' Vogue 'Harry Selfridge revolutionised the way we shop ... fascinating' Daily Mail
Includes bibliographical references (p. [907]-914) and index.
Sherman's Wife is Julia Camoys Stonor's blackly humorous childhood memoir. Her mother, Jeanne, came from an impecunious Catholic aristocratic family and careened her way through the bedrooms of Mayfair, Madrid and Rhode Island. Her father was Sherman, the half-American 6th Baron Camoys whom Jeanne effectively blackmailed into marriage. Jeanne insisted that she and Sherman spend their honeymoon with one of her lovers, Hitler's foreign minister, Joachim von Ribbentrop. Once installed at the Stonor Park estate, Jeanne set about acquiring money and power through any means possible, including but not limited to theft, sexual blackmail, and murder. In this frank and unflinching portrait of English upper class life in the 1940s, Julia Camoys Stonor manages to evoke Mommie Dearest and Brideshead Revisited in equal measure.
Heroes and Contemporaries is a book of profiles written with the author's personal insights, anecdotes and judgments on fascinating public figures he encountered in life's journey. Jonathan Aiken was for many years at the heart of British journalism and politics. The early chapters here offer illuminating portraits of historical characters Aitken knew as a young man including Sir Winston Churchill, Randolph Churchill and Lord Beaverbrook, the author's great uncle, who founded the Aitken dynasty of newspaper owners and politicians. In his own career, which took him through 23 years in the House of Commons to the Cabinet, Aitken became close to some of the most intriguing figures in British po...
For the first time, the fully documented story of the unravelling of the Beaverbrook legacy. From humble beginnings, Max Aitken, later Lord Beaverbrook, rose to the heights of politics and business. His philanthropy knew no bounds, or so it seemed. In the late 1950s, he built the Beaverbrook Art Gallery in Fredericton as a gift to the people of New Brunswick and stocked it with a large collection of masterworks that form the core of the Gallery's prestigious collection. Today, the paintings are at the centre of a bitter battle between the Gallery and the two charitable Beaverbrook foundations -- a battle that has rocked the art world on both sides of the Atlantic. But the "Beaverbrook dispute" is only part of this intriguing story. In this fascinating account, Jacques Poitras explores the intertwined history of the Aitken family and the Beaverbrook Gallery. Sifting through Beaverbrook's own correspondence, public and archival records in Canada and England, and interviews with friends and foes, including those involved in the dispute, Poitras disentangles the exploits of the original Lord Beaverbrook and the uncertain fortunes of a once-influential family.
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