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'It is the desire really to make myself a first person. For many years I was a third person – as children are, 'they', 'she', and as probably oppressed minorities become, 'they'. - Janet Frame, radio interview about writing her autobiography (1983) For the first time ever, this collection brings together Janet Frame's published short non-fiction in one collected volume, as well as material never seen before. Letters spanning 50 years of Frame's life are published alongside essays, reviews, speeches and extracts from interviews. This startling collection provides an unprecedented range of factual writings about herself, her life and her work. It reveals many aspects Janet Frame's character that will challenge some long-standing myths and preconceptions about New Zealand's most famous author.
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Self-styled writer Grace Cleave has writers block, and her anxiety is only augmented by her chronic aversion to leaving her home, to be ''among people, even for five or ten minutes.'' And so it is with trepidation that she accepts an invitation to spend a weekend away from London in the north of England. Once there, she feels more and more like a migratory bird, as the pull of her native New Zealand makes life away from it seem transitory. Grace longs to find her place in the world, but first she must learn to be comfortable in her own skin, feathers and all. From the author of An Angel at My Table comes an exquisitely written novel of exile and return, homesickness and belonging. Written in 1963 when Janet Frame was living in London, this is of a novel she considered too personal to be published while she was alive.
Beneath the seemingly tranquil surface of an old English village lie murder, incest, and mystery. Alwyn Maude, a handsome young man, commits murder for no particular reason other than to kill. The senselessness of Alwyn's crime is contrasted with the antiquated ways of his father and uncle. The tensions between past and present are explored and the shortcomings of both exposed. Copyright © Libri GmbH. All rights reserved.
The most comprehensive selection of Janet Frame's stories ever published, this exceptional collection has been chosen from the four different volumes released during her lifetime. Featuring the best of her stories, the book includes pieces that were written over four decades, including stories from her debut collection, The Lagoon and Other Stories. First published in 1951, those stories were written while Frame was confined in a mental hospital. When the collection won the Hubert Church Award, a threatened brain operation (akin to a lobotomy) was averted. The stories in this new book also include selections from You Are Now Entering the Human Heart, published in the 1980s after a hiatus from writing. The last stories she published before her death, her writings from this time reveal Frame's unflinching ability to explore the drama of madness, isolation, and identity. This new book also includes five short stories that have not been collected before, completing a volume that testifies to the brilliance of Janet Frame's life and literary talent.
"Janet Frame (1924-2004) was one of New Zealand's foremost modern writers, best-known for her prizewinning novels and for the three-volume autobiography later adapted by Jane Campion into her film An Angel." "She published only one collection in her lifetime, The Pocket Mirror in 1967, but she never stopped writing poetry, allowing the manuscripts to accumulate in an old fibreglass bowl she'd originally used as a bath for her geese. Her second, posthumous collection The Goose Bath (2006) was compiled from this treasure trove, but not published outside New Zealand. Storms Will Tell is a comprehensive selection of her beautiful and thought-provoking poems drawn from both those books." "Her poems illustrate the shape of Janet Frame's life: her childhood and later years in mental hospitals blighted by misdiagnosis of schizophrenia; her travels around the world, including her time in Engl her life as a writer and return to New Zeal growing older and facing illness and death. There are love poems, meditations on mortality, flashes of humour and startling imagery. And always she celebrates the power of the human imagination."--BOOK JACKET.
Through the eyes of a woman of myriad personalities - ventriloquist, gossip and writer - Janet Frame playfully explores the process of writing fiction: the avoidances, interruptions and irrelevancies, as well as a teasing blurring between fact and fiction. The landscape of the Maniototo becomes 'the bloody plain' of the imagination, as the narrator tells us about her marriages and children, her friends (real and imagined), her travels (between New Zealand and the United States) and her stay in the house left in her care by friends travelling in Italy. She must face the reality of death as well as probe the authenticity of the modern world.
What happens when the town of Puamahara begins to profit from its legend and the astronomers discovering the Gravity Star predict an unthinkable future? Mattina Brecon, a New Yorker, arrives in Kowhai Street, Puamahara, where her painstaking study of her neighbours is interrupted by a new kind of cataclysmic event. Mattina finds herself in possession of a Kowhai Street that is without people, language or memory. This novel won the 1989 Commonwealth Writers Prize and the Ansett New Zealand Book Award. It was Janet Frame's last novel.
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