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'Owls Do Cry remains innovative and relevant' GUARDIAN 'Janet Frame was a unique and troubled soul whose luminous words are the more precious' HILARY MANTEL 'Her dark, eloquent song captured my heart ' JANE CAMPION Owls Do Cry is the story of the Withers family: Francie, soon to leave school to start work at the woollen mills; Toby, whose days are marred by the velvet cloak of epilepsy; Chicks, the baby of the family; and Daphne, whose rich, poetic imagination condemns her to a life in institutions. It is one of the classics of New Zealand literature and has remained in print continuously for fifty years. A fiftieth anniversary edition was published in 2007. Owls Do Cry is Janet Frame's firs...
'It is the desire really to make myself a first person. For many years I was a third person – as children are, 'they', 'she', and as probably oppressed minorities become, 'they'. - Janet Frame, radio interview about writing her autobiography (1983) For the first time ever, this collection brings together Janet Frame's published short non-fiction in one collected volume, as well as material never seen before. Letters spanning 50 years of Frame's life are published alongside essays, reviews, speeches and extracts from interviews. This startling collection provides an unprecedented range of factual writings about herself, her life and her work. It reveals many aspects Janet Frame's character that will challenge some long-standing myths and preconceptions about New Zealand's most famous author.
Janet Frame, born in 1924, is New Zealand's most celebrated and least public author. Her early life in small South Island towns seemed, at times, engulfed in a tide of doom: one brother still-born, another epileptic; two sisters dead of heart failure while swimming; Frame herself committed to mental hospitals for the best part of a decade. Later, her surviving sister was temporarily felled in adulthood by a stroke, an uncle cut his throat and a cousin shot his lover, his lover's parents and then himself. This, then, is an inspiring biography of a woman who climbed out of an abyss of unhappiness to take control of her life and become one of the great writers of her time. And to enable her biographer to write this book scrupulously and honestly, Janet Frame spoke for the first time about her whole life. She also made available her personal papers and directed her family and friends to be equally communicative. The result is a biography of astonishing intimacy and frankness, written by multi-award-winning author, Dr Michael King.
'Miss Frame shows an insight into the minds and lives of other patients which brings them back into the scope of art. And her skill at penetrating the feelings of the staff unites patients and staff in such a way as to make them all, however whirling, members of the same tragic microcosm.' --The Times Literary Supplement
"Janet Frame (1924-2004) was one of New Zealand's foremost modern writers, best-known for her prizewinning novels and for the three-volume autobiography later adapted by Jane Campion into her film An Angel." "She published only one collection in her lifetime, The Pocket Mirror in 1967, but she never stopped writing poetry, allowing the manuscripts to accumulate in an old fibreglass bowl she'd originally used as a bath for her geese. Her second, posthumous collection The Goose Bath (2006) was compiled from this treasure trove, but not published outside New Zealand. Storms Will Tell is a comprehensive selection of her beautiful and thought-provoking poems drawn from both those books." "Her poems illustrate the shape of Janet Frame's life: her childhood and later years in mental hospitals blighted by misdiagnosis of schizophrenia; her travels around the world, including her time in Engl her life as a writer and return to New Zeal growing older and facing illness and death. There are love poems, meditations on mortality, flashes of humour and startling imagery. And always she celebrates the power of the human imagination."--BOOK JACKET.
Janet Frame’s work is notorious for the demands it makes on reader and critic. This collection of nine new essays by international Frame specialists draws on a range of critical frameworks to explore fresh ways of looking at Frame’s fiction, poetry, and autobiography. At the same time, the essays plug into the energy of Frame’s work to challenge our thinking within and beyond these frameworks. Frameworks offers a unique perspective on Frame studies today, showcasing its major concerns as well as heralding new Frame narratives for the decade ahead. Mindful of preceding Frame criticism, these essays use their contemporary vantage-point to recast seminal questions about the relationship between Janet Frame’s work and its critical contexts. Each of the essays makes a case for framing her work in a particular way, but all are characterized by self-reflexivity regarding their own critical practice and the relationship they assume between exegetical framework and Frame’s work. Underlying this practice, and contained within the pun of the title, are the elementary-sounding yet fundamental questions of Frame studies: How does Frame’s work work? And how do we work with her work?
Beneath the seemingly tranquil surface of an old English village lie murder, incest, and mystery. Alwyn Maude, a handsome young man, commits murder for no particular reason other than to kill. The senselessness of Alwyn's crime is contrasted with the antiquated ways of his father and uncle. The tensions between past and present are explored and the shortcomings of both exposed. Copyright © Libri GmbH. All rights reserved.
'A deeply rewarding and beautiful novel' HILARY MANTEL, GUARDIAN ' Towards Another Summer is a joy to read' MAGGIE O'FARRELL 'Frame has been compared with Katherine Mansfield and Virginia Woolf' TELEGRAPH Life in England seems transitory for Grace Cleave as the pull of her native New Zealand grows stronger. She begins to feel increasingly like a migratory bird. Grace longs to find her own place in the world, if only she can decide where that is. But first she must learn to feel comfortable in her own skin, feathers and all. Towards Another Summer is a meditation on the themes of exile and return, homesickness and not knowing where home really is. It is suffused with beauty and tenderness and shot through with self-deprecating humour and frailty. Written in 1963, Janet Frame considered this novel too personal to be published in her lifetime. 'In this deeply personal novel of exile and loneliness, Janet Frame proves the master of nostalgia, beauty and loss. Frame is, and will remain, divine' ALICE SEBOLD 'Exceptional . . . comic, melancholy and piercingly observant' SUNDAY TELEGRAPH
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