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Last Things
Emily Brontë's poems are more frequently celebrated than read. Ironically, their very uniqueness and strangeness have made them less interesting to current feminist critics than other poetry written by Victorian women. This much-needed study reinstates Emily Brontë's poems at the heart of Romantic and Victorian concerns while at the same time underlining their enduring relevance for readers today. Last Things presents the poems as the achievement of a powerfully independent mind responding to its own inner experience of the world while seeking always an abrogation of human limits compatible with a stern morality. Although the book does not discuss all of Brontë's poems, it seeks to be comprehensive by undertaking an analysis of individual poems, the progress she made from the beginning of her career as a poet to its end, her poetical fragments and her writing practice, and her motives for writing poetry. Last Things also brings the emotions and concerns that inform Wuthering Heights into sharper focus by relating them to the poems.
Citizen Girl
Another biting satire from Emma McLaughlin and Nicola Kraus, authors of the #1 New York Times bestseller The Nanny Diaries. Working in a world where a college degree qualifies her to make photocopies and color-coordinate file folders, twenty-four-year-old Girl is struggling to keep up with the essential trinity of food, shelter, and student loans. So when she finally lands the job of her dreams she ignores her misgivings and concentrates on getting the job done...whatever that may be. Sharply observed and devastatingly funny, Citizen Girl captures with biting accuracy what it means to be young and female in the new economy. A personal glimpse into an impersonal world, Citizen Girl is edgy and heartfelt, an entertaining read that is startlingly relevant.
The Annotated Wuthering Heights
Illustrated with many color images, The Annotated Wuthering Heights provides those encountering the novel for the first time, as well as those returning to it, with a wide array of contexts in which to read Emily Brontë’s romantic masterpiece, which has been called “the most beautiful, most profoundly violent love story of all time.”
Gilbert and Gubar's The Madwoman in the Attic after Thirty Years
When it was published in 1979, Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imaginationwas hailed as a pathbreaking work of criticism, changing the way future scholars would read Jane Austen, Mary Shelley, the Brontës, George Eliot, and Emily Dickinson. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses inspired by Gilbert and Gubar’s approach. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia. These co...
Charlotte Brontë and Defensive Conduct
Selected by Choice magazine as an Outstanding Academic Title In both her life and her art, Charlotte Brontë was alive to the difficulty of responding to attacks that are denied or underacknowledged, so that any defense risks seeming defensive in our modern sense of the word: too quick to take offense or covertly aggressive. For some, Brontë's novels are deformed by hunger, rebellion, and rage; for others, they are deformed by the repression of these feelings. Both views ignore hunger, rebellion, and rage as powerful resources for Brontë's art rather than as personal difficulties to be surmounted or even deplored. Janet Gezari reassesses Charlotte Brontë's achievement by showing the ways ...
The Cambridge History of English Poetry
A literary-historical account of English poetry from Anglo-Saxon writings to the present.
Shirley
Originally published: London: Smith, Elder and Co., 1849.
Embodied
"In these elegant engagements with literary works, cultural history, and critical theory, Cohen advances a phenomenological approach to embodiment, proposing that we encounter the world not through our minds or souls but through our senses."--BOOK JACKET.
On Style in Victorian Fiction
Demonstrates the importance of attending to literary style in Victorian novels and provides exemplary readings of major novelists.
The Serious Pleasures of Suspense
Scholars have long recognized that narrative suspense dominates the formal dynamics of 19th-century British fiction. This study argues that various 19th-century thinkers - John Ruskin, Michael Faraday, Charlotte Bronte - saw suspense as a vehicle for a new approach to knowledge called "realism".
