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Go Because I Love You
Go Because I Love You, the debut poetry collection by Jared Harél, is a book of arrivals and departures. It is about childhood and parenthood, desire and obligation, about who we love and how we stay. Through a series of poems which interweave the domestic and daily with the political and historical, Harél crafts a portrait of 21st-century American life that is humorous, haunting and utterly human.
The Body Double
Poetry. "Harel writes with such grace, lacing his preoccupations with such a light touch of humor, that you often forget THE BODY DOUBLE is cut from the same big questions that keep us all up at night. If you've strayed from poetry, this is the book that will bring you back. If you've ever secretly wished that Kafka had been an optimist, this is the poet for you." Tea Obreht "With mischievous appreciation for the human dilemma, THE BODY DOUBLE charts the adventures of a rebellious, canny self within the self, and in doing so offers an imaginative perspective on both the classic doppelganger and the contemporary fascination with identity. These charming ontological poems suggest our myopia an...
The Body Double
Poetry. "Harel writes with such grace, lacing his preoccupations with such a light touch of humor, that you often forget THE BODY DOUBLE is cut from the same big questions that keep us all up at night. If you've strayed from poetry, this is the book that will bring you back. If you've ever secretly wished that Kafka had been an optimist, this is the poet for you." Tea Obreht "With mischievous appreciation for the human dilemma, THE BODY DOUBLE charts the adventures of a rebellious, canny self within the self, and in doing so offers an imaginative perspective on both the classic doppelganger and the contemporary fascination with identity. These charming ontological poems suggest our myopia an...
Let Our Bodies Change the Subject
Let Our Bodies Change the Subject is a poetry collection that dives headlong into the terrifying, wondrous, sleep-deprived existence of being a parent in twenty-first-century America. In clear, dynamic verses that disarm then strike, Jared Harél investigates our days through the keyhole of domesticity, through personal lyrics and cultural reckonings. Whether taking a family trip to Coney Island or simply showing his son snowflakes on Inauguration morning, Harél guides us toward moments of intimacy and understanding, humor and grief. "I will try," he admits, "to be better than myself, which is all/I've ever wanted and everything I need." Winner of the Raz/Shumaker Prairie Schooner Book Prize in Poetry, Let Our Bodies Change the Subject is a secular prayer. Hoping against hope, Harél works to reconcile feelings of luck and loss, of living for joy while fearing the worst.
This Is What They Say
"This Is What They Say introduces us to a poet of intensity and passion who sings against the backdrop of a world we know intimately, but which he has shown to us with new eyes. Dark and humorous, these pieces revel in language as they illuminate with imagery. M. Bartley Seigel is an important poet, writing about a time and a place that matter." --Laura Kasischke, author of National Book Critics Circle Award-winner Space, In Chains and The Life Before Her Eyes Michigan's economic boom and bust murmurs like an omen for a now-struggling America in This Is What They Say, as poet M. Bartley Seigel reminds us, "we are all collapsing stars." If you listen close, you can hear the secret, untold des...
Words After Dark: A Lit, Lyrics & Liquor Anthology
An anthology of poetry, fiction, creative nonfiction, song lyrics and trivia from NYC's long running series Lyrics, Lit & Liquor.
Poets of Queens 2
Poets of Queens is publishing its second anthology with an official release date of July 14, 2024. The themes include parenting, coming of age in Queens, the layered histories or generational understanding of Queens, existentialism, nature/climate, and the pandemic. Contributors include Pichchenda Bao, Jared Beloff, Francisco Delgado, Trace Howard DePass, Sherese Francis, DeeAnne P. Gorman, Jared Harél, Emily Hockaday, Paolo Javier, Robert Kaplan, Linda Kleinbub, Ananda Lima, Maria Lisella, Erika Meitner, Vijay R. Nathan, Richard Jeffrey Newman, Robert Ostrom, McCaela Prentice, Hila Ratzabi, Anda Totoreanu, Bruce E. Whitacre, and Micah Zevin. Editors are: Jared Beloff is the author of Who W...
Portrait Before Dark
Portrait Before Dark is a poem cycle that constitutes an imaginary dialogue between the poet and patron of the arts, Edward James, and the eccentric Viennese ballerina and star of the 1920's, Tilly Losch. Liana Sakelliou began writing these poems in August 2009, when she was serving as writer-in-residence at West Dean College in West Sussex, England. Three days before she was to leave for the U.K., a wildfire surrounded her home and neighborhood. In minutes the pine forest and hillside olive groves were lost. For days, the suitcase and the clothes she'd packed smelled of smoke. Edward James, the Anglo-American millionaire, gave his estate to a charitable trust, the Edward James Foundation, w...
A Constellation of Kisses
In this inspired collection, poet and editor Diane Lockward has assembled over 100 poems about kisses written by many of our best contemporary poets. You'll find kisses longed for, kisses auditioned, kisses rehearsed. Ritualistic kissing. Delicious kissing. Kissing that comforts the grieving. Kissing that blesses a union.
Lunch Portraits
Poetry. Asian & Asian American Studies. Women's Studies. Rejecting the purely lyrical mode and its attendant melancholia, the poems in Lunch Portraits attempt to beat back existential dread by reveling in the delightfully banal totems of mass American culture hot dogs, cinema, cats, money, youth, selfies. They eat their way through exuberance and fear, richness and emptiness, belonging and alienation, locating in the everyday what is human and hopelessly hungry. Yet in this search for satiation, they also stumble upon the vexing paradoxes inherent in this desire, where no insecurity is entirely innocuous. These poems are alive with appetite and yearning, always hopeful to discover, as Kuan writes, "the 'help' button of the burning telephone."
