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A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.
"Ephemeral Coast - Visualizing Coastal Climate Change" considers the ways that art can offer a means through which to discover, analyze, re-imagine and re-frame emotive discourses about the ecological and cultural transformations of the coastline. This edited anthology takes ephemerality as its central conceptual and methodological framework and presents a series of essays that create interconnections between environmental and social considerations of the coast, a succession of embodied creative practices, and shifting regional geographic identities. The book presents a series of specific case studies of artistic practices and strategies that seek to capture the rewriting of cartographic map...
The International Handbooks of Museum Studies is a multi-volume reference work that represents a state-of-the-art survey of the burgeoning field of museum studies. Featuring original essays by leading international museum experts and emerging scholars, readings cover all aspects of museum theory, practice, debates, and the impact of technologies. The four volumes in the series, divided thematically, offer in-depth treatment of all major issues relating to museum theory; historical and contemporary museum practice; mediations in art, design, and architecture; and the transformations and challenges confronting the museum. In addition to invaluable surveys of current scholarship, the entries include a rich and diverse panoply of examples and original case studies to illuminate the various perspectives. Unprecedented for its in-depth topic coverage and breadth of scholarship, the multi-volume International Handbooks of Museum Studies is an indispensable resource for the study of the development, roles, and significance of museums in contemporary society.
Książka, wpisująca się we wciąż aktualne w dobie „postmedializmu” dyskusje o rozmywaniu się granic sztuk, stawia pytanie o miejsce architektury w nowoczesnych systemach sztuk pięknych i we współczesnych definicjach sztuk wizualnych. Inspiracją do podjęcia tych rozważań stały się współczesne praktyki artystyczne, w których wyłania się wyraźnie nurt zainteresowania architekturą oraz sposobami architektonicznej reprezentacji. Współczesne integracje są ukazane na tle dawnych powinowactw, a zwłaszcza na tle osiemnastowiecznej krytyki doktryny ut pictura poesis,nowoczesnych systemów sztuk pięknych, często marginalizujących architekturę, dziewiętnastowiecznego p...
Kolekcja to nie tylko zbiór dzieł – to opowieść o podróży przez życie i sztukę. Borysław Czyżak z wrażliwością i głębią wprowadza nas w świat ośmiu wybitnych postaci: Magdaleny Abakanowicz, Marii Anto, Zuzanny Janin, Kojego Kamojego, Jarosława Modzelewskiego, Erny Rosenstein, Henryka Stażewskiego i Wacława Taranczewskiego. Choć minimalistyczną twórczość Kamojego od surrealistycznych wizji Rosenstein zdaje się dzielić niemal wszystko, bohaterki i bohaterowie książki tworzyli w tych samych czasach. Nie potrzebowali jednolitego programu – łączyły ich wspólnota doświadczeń i więzy przyjaźni. W tej wciągającej biografii pokolenia Czyżak odmalowuje nie ...
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Tadeusz Kantor, who lived from 1915 to1990, was one of Poland's most important artists: he painted, created, directed, mounted happenings and founded a key independent theater in Krakow. Along with his own works on paper, objects, photographs and films, The Impossible Theater brings us his descendents, artists of the younger generation, represented by installations, performances and projects. Like Kantor, they cast themselves in roles that call for mediation in the social world.
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