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Tressa
Nobody knew the truth. For all those years while people judged me, I protected those closest to me. Now it's time for the real story to be told. It's time for healing and forgiveness.' Tressa Middleton made UK history when she became Britain's youngest mum in 2006 aged just 12 years and 8 months. Her case provoked shock and outrage - but the truth behind the headlines was far sadder than anyone could ever have imagined. Born into a life of poverty and neglect, Tressa was forced to grow up fast when she taken into care at just four years old. She was returned to her mother's chaotic world but by the age of seven, she was being abused by her own brother and at 11 years old she fell pregnant with his child. For years she kept his dark secret in an attempt to hold her family together until the truth threatened to destroy her completely. In the years since the birth, Tressa has gone through more pain and turmoil than most adults experience in a lifetime - yet today she survives a brave, strong and compassionate young woman. Now, for the first time, Tressa Middleton tells her own harrowing yet poignant story - a story of hope, forgiveness and above all, love.
Documentary's Awkward Turn
Despite the prominence of "awkwardness" as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies. Documentary’s Awkward Turn contributes a new critical paradigm to the field by presenting an analysis of awkward moments in documentary film and other reality-based media formats. It examines difficult and disrupted encounters between social actors on the screen, between filmmaker and subject, and between film and spectator. These encounters are, of course, often inter-connected. Awkward moments occur when an established mode of representation or reception is unexpectedly challenged, stalled, or altered: when an interviewee suddenly confronts the interviewer, when a subject who had been comfortable on camera begins to feel trapped in the frame, when a film perceived as a documentary turns out to be a parodic mockumentary. This book makes visible the ways in which awkwardness connects and subtends a range of transformative textual strategies, political and ethical problematics, and modalities of spectatorship in documentary film and media from the 1970s to the present.
Documentary's Awkward Turn
Despite the prominence of "awkwardness" as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies. Documentary’s Awkward Turn contributes a new critical paradigm to the field by presenting an analysis of awkward moments in documentary film and other reality-based media formats. It examines difficult and disrupted encounters between social actors on the screen, between filmmaker and subject, and between film and spectator. These encounters are, of course, often inter-connected. Awkward moments occur when an established mode of representation or reception is unexpectedly challenged, stalled, or altered: when an interviewee suddenly confronts the interviewer, when a subject who had been comfortable on camera begins to feel trapped in the frame, when a film perceived as a documentary turns out to be a parodic mockumentary. This book makes visible the ways in which awkwardness connects and subtends a range of transformative textual strategies, political and ethical problematics, and modalities of spectatorship in documentary film and media from the 1970s to the present.
Labors of Fear
How work and capitalism inspire horror in modern film. American ideals position work as a source of pride, opportunity, and meaning. Yet the ravages of labor are constant grist for horror films. Going back decades to the mad scientists of classic cinema, the menial motel job that prepares Norman Bates for his crimes in Psycho, and the unemployed slaughterhouse workers of The Texas Chain Saw Massacre, horror movies have made the case that work is not so much a point of pride as a source of monstrosity. Editors Aviva Briefel and Jason Middleton assemble the first study of horror’s critique of labor. In the 1970s and 1980s, films such as The Shining and Dawn of the Dead responded to deindustr...
Jason Mason Middleton-Tapp
"Merry-making abounds when little Jason Mason Middleton-Tapp" is sent upstairs to take his nap. Jason's inspired imagination transforms his otherwise ordinary bedroom into a fantasy playground.
Jason Mason Middleton-Tapp
"Merry-making abounds when little Jason Mason Middleton-Tapp" is sent upstairs to take his nap. Jason's inspired imagination transforms his otherwise ordinary bedroom into a fantasy playground.
Medium Cool
Music videos are available on more channels, in more formats, and in more countries than ever before. While MTV—the network that introduced music video to most viewers—is moving away from music video programming, other media developments signal the longevity and dynamism of the form. Among these are the proliferation of niche-based cable and satellite channels, the globalization of music video production and programming, and the availability of videos not just on television but also via cell phones, DVDs, enhanced CDs, PDAs, and the Internet. In the context of this transformed media landscape, Medium Cool showcases a new generation of scholarship on music video. Scholars of film, media, ...
Rock Over the Edge
This collection brings new voices and new perspectives to the study of popular—and particularly rock—music. Focusing on a variety of artists and music forms, Rock Over the Edge asks what happens to rock criticism when rock is no longer a coherent concept. To work toward an answer, contributors investigate previously neglected genres and styles, such as “lo fi,” alternative country, and “rock en español,” while offering a fresh look at such familiar figures as Elvis Presley, the Beatles, and Kurt Cobain. Bridging the disciplines of musicology and cultural studies, the collection has two primary goals: to seek out a language for talking about music culture and to look at the relat...
Medium Cool
Medium Cool
The Ultimate Community
"Alice Parker's zest for life is contagious. When she's not working in her father's bar in London, she's out partying with her friends. Some might say she is having too much fun. Her boyfriend, Jason Middleton, is a health and fitness trainer. He's concerned about her drinking and gives her a voucher for a revolutionary new treatment to cure addiction. Alice is reluctant to try it, but when she wakes with yet another hangover, accompanied by a pain in her kidneys, she worries about her health. Then the threatening text messages arrive. Who has it in for her? And why? Her father, Damion, sends her to The Community, a safe place isolated from the rest of the world. Some questions about her life are finally answered, but that is only the beginning. Life, as she knows it, has been one big lie"--Back cover.
