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The Diary of a Pissed Off Mom is just that. Follow me through my journey of motherhood. My story is of a young woman becoming a mother, growing with children and a husband. I share with you the joys, sorrows, trials and tribulations of all that goes with parenting. I am sharing with you the reality of the And They All Lived Happily Ever After .. The truth is, that fairy tale idealism is a load of bullcaca. I didn t realize how difficult marriage and children were. Over the years I have developed my diary not just for them to know who their mother was, but what it was like raising them. Once the teenage years arrived all preconceived thoughts and ideas of parenting strategies went right out the window. I have elaborated on events to add perspective and enlightenment to you, the reader. My wish is to help other parents realize that if you stay true to your beliefs and keep love in your heart, anything can be overcome.
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Now regarded as the bane of many college students' existence, calculus was one of the most important mathematical innovations of the seventeenth century. But a dispute over its discovery sewed the seeds of discontent between two of the greatest scientific giants of all time -- Sir Isaac Newton and Gottfried Wilhelm Leibniz. Today Newton and Leibniz are generally considered the twin independent inventors of calculus, and they are both credited with giving mathematics its greatest push forward since the time of the Greeks. Had they known each other under different circumstances, they might have been friends. But in their own lifetimes, the joint glory of calculus was not enough for either and each declared war against the other, openly and in secret. This long and bitter dispute has been swept under the carpet by historians -- perhaps because it reveals Newton and Leibniz in their worst light -- but The Calculus Wars tells the full story in narrative form for the first time. This vibrant and gripping scientific potboiler ultimately exposes how these twin mathematical giants were brilliant, proud, at times mad and, in the end, completely human.
For decades the suburbs have been where art happens despite: despite the conformity, the emptiness, the sameness. Time and again, the story is one of gems formed under pressure and that resentment of the suburbs is the key ingredient for creative transcendence. But what if, contrary to that, the suburb has actually been an incubator for distinctly American art, as positively and as surely as in any other cultural hothouse? Mixing personal experience, cultural reportage, and history while rejecting clichés and pieties and these essays stretch across the country in an effort to show that this uniquely American milieu deserves another look.