You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book details the movement against India's Emergency based on newly uncovered archival evidence and oral histories.
In Fighting is Like a Wife, Eloisa Amezcua uses striking visual poems to reconstruct the love story—and the tragedy—of two-time world boxing champion “Schoolboy” Bobby Chacon and his first wife, Valorie Ginn. Bobby took to fighBobby took to fighting the way a surfer takes to water: the waves and crests, the highs and the pummeling lows. Valorie, as girlfriend, then wife, then mother of their children, was proud of Bobby and how he found a way out of the harsh world they were born into. But the brain-sloshing blows, the women, and the alcohol began to take their toll, and soon Bobby couldn’t hear her anymore. With her fate affixed to Bobby’s, and Bobby’s to the ring, Valorie sought her own way out of this dilemma. Using haunting, visceral language to evoke the emotion of the fight, and incorporating direct quotations from sports commentators and Bobby himself, Fighting Is Like a Wife reveals how boxing, like love and poetry, can be brutal, vulnerable, and surprising.
A constellation of short stories illustrate the intersecting lives of women on various peripheries of society in and around Bogotá, Colombia. In six subtly connected stories, Variations on the Body explores the obsessions, desires, and idiosyncrasies of women and girls from different strata of Colombian society. A former FARC guerilla fighter adjusts to urban life and faces the new violence of an editor co-opting her experiences. A woman adrift in the city she left as a child looks for someone to care for, even if it has to be by force, while another documents a flea infestation with a catalog of the marks on her flesh. A little girl copes with her anxiety about the adult world by exacting revenge on her nanny, who she thinks belongs to her. Combining humor, heartbreak, and unexpected violence, Ospina constructs a keen reflection on the body as a simultaneous vehicle of connection and alienation in vibrant, gleaming prose.
How the simple commodity of coffee came to rewrite the experience of metropolitan life When the first coffee-house opened in London in 1652, customers were bewildered by this strange new drink from Turkey. But those who tried coffee were soon won over. More coffee-houses were opened across London and, in the following decades, in America and Europe. For a hundred years the coffee-house occupied the centre of urban life. Merchants held auctions of goods, writers and poets conducted discussions, scientists demonstrated experiments and gave lectures, philanthropists deliberated reforms. Coffee-houses thus played a key role in the explosion of political, financial, scientific and literary change in the 18th century. In the 19th century the coffee-house declined, but the 1950s witnessed a dramatic revival in the popularity of coffee with the appearance of espresso machines and the `coffee bar', and the 1990s saw the arrival of retail chains like Starbucks.
What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.
Part coming-to-America story, part lyrical memoir, and yet another part activist's call to action, The Coffeehouse Resistance: Brewing Hope in Desperate Times is timely, funny, and poignant. Writing as a mother, immigrant, new American, coffeehouse owner, and international nonprofit leader, Prabasi's story weaves between Nepal, Ethiopia, and the United States. When Prabasi and her husband move from Addis Ababa, Ethiopia, to New York City with their young daughter in 2011, they start a thriving coffee business, grow their family, and are living their American Dream. After the 2016 election, they are suddenly unsure about their new home. Reclaiming the tradition of coffee houses throughout history, their coffeehouses become a hub for local organizing and action. Moving from despair to hope, this story is ultimately about building community, claiming home, and fighting for our dreams.
Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. ...
Most of us can’t make it through morning without our cup (or cups) of joe, and we’re not alone. Coffee is a global beverage: it’s grown commercially on four continents and consumed enthusiastically on all seven—and there is even an Italian espresso machine on the International Space Station. Coffee’s journey has taken it from the forests of Ethiopia to the fincas of Latin America, from Ottoman coffee houses to “Third Wave” cafés, and from the simple coffee pot to the capsule machine. In Coffee: A Global History, Jonathan Morris explains both how the world acquired a taste for this humble bean, and why the beverage tastes so differently throughout the world. Sifting through the...
Praise for Sun Yung Shin: Finalist for the Believer Poetry Award "[her] work reads like redactions, offering fragments to be explored, investigated and interrogated, making her reader equal partner in the creation of meaning."—Star Tribune Sun Yung Shin moves ideas—of identity (Korean, American, adoptee, mother, Catholic, Buddhist) and interest (mythology, science fiction, Sophocles)— around like building blocks, forming and reforming new constructions of what it means to be at home. What is a cyborg but a hybrid creature of excess? A thing that exceeds the sum of its parts. A thing that has extended its powers, enhanced, even superpowered.