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“One of the most exciting developments from the world of ideas in decades, presented with panache by two frighteningly brilliant, endearingly unpretentious, and endlessly creative young scientists.” – Steven Pinker, author of The Better Angels of Our Nature Our society has gone from writing snippets of information by hand to generating a vast flood of 1s and 0s that record almost every aspect of our lives: who we know, what we do, where we go, what we buy, and who we love. This year, the world will generate 5 zettabytes of data. (That’s a five with twenty-one zeros after it.) Big data is revolutionizing the sciences, transforming the humanities, and renegotiating the boundary between...
A haunting and powerful novel from one of France’s most exciting and talented young writers.
With comic brilliance and a delight in the macabre, Michel Basilières holds a fun-house mirror up to a defining moment in Canadian history and reveals, among other things, a family having a very bad year. Holed up in a shambling house at the base of Mount Royal is the family Desouche: three generations of English- and French-Canadians caught in the gears of a national emergency. Their world is dark and hard, but alive with hope and expectation. When one of the eldest, an Anglo Montrealer, dies at the hand of one of the youngest, a militant separatist, so begins a year of turmoil and change that culminates in the October Crisis. Grave-robbing Grandfather consorts with prostitutes and mad sci...
First multi-year cumulation covers six years: 1965-70.
“One of the most exciting developments from the world of ideas in decades, presented with panache by two frighteningly brilliant, endearingly unpretentious, and endlessly creative young scientists.” – Steven Pinker, author of The Better Angels of Our Nature Our society has gone from writing snippets of information by hand to generating a vast flood of 1s and 0s that record almost every aspect of our lives: who we know, what we do, where we go, what we buy, and who we love. This year, the world will generate 5 zettabytes of data. (That’s a five with twenty-one zeros after it.) Big data is revolutionizing the sciences, transforming the humanities, and renegotiating the boundary between...
Jean Baptiste Simeon Chardin, the still-life artist of 18th-century France, was born in Paris in 1699. Having received no formal training, he rose to become one of the most highly-regarded painters of his lifetime, his work widely exhibited and sought by the rich and famous. His still-lifes, composed of simple elements, are exceptional in their depth of tone and striking in their directness. The genre scenes depict the domesticity of everyday bourgeois life, unsentimentalized and unidealized.
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
This volume reinterprets the work of the dramatist Michel-Jean Sedaine and the artist Jean-Baptiste Greuze, in the context of their innovative engagement with discourses of genre in eighteenth-century France, and in the light of new archival evidence. It reveals the complexity and audacity of both men's work, and restablishes the less well-known as a figure of major importance.
Volume 1 considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. Volume 2 is based on on microhistories that move from the private sphere (of dwelling, cooking, and homemaking) to the public (the experience of living in a neighborhood). Delves into the subtle tactics of resistance and private practices that make living a subversive art.
Featuring foldouts, candid photographs, and full-page color installation shots, this beautiful new book celebrates the work of Jean-Michel Basquiat over his brief but meteoric career. Dozens of historical photographs, both black-and-white and color, connect the text with the close to sixty color plates, providing invaluable insight into the life and work of this seminal artist. Art historian Robert Farris Thompson delivers a detailed analysis of some of Basquiat’s most iconic paintings, situating them within the artist’s own oeuvre, as well as the larger landscape of twentieth-century art. Rounding out this stunning volume, the late Rene Ricard provides a rare but accurate glimpse into the private world of Basquiat, recounting their sometimes fraught friendship, from their first meeting in 1981 to Basquiat’s death in 1988.