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Guest Rooms
A good host knows that every guest is an honored guest, whether hard-pressed and lost or upbeat and well. But how to be a good host--or for that matter, a good guest--can be a perplexing and often stressful question. Guest Rooms, by Hilary and Alexander Heminway, offers tips, suggestions, and sound advice for creating guest sanctuaries, while helping hosts to maintain their sanity. It includes decorating ideas, and sidebars on linens, amenities, meals, tips on being a good guest, instructions for preparing a guest bath, and more. Guest Rooms includes ideas like Every host should expect the unexpected, but guests shouldn't expect if unexpected. Simple means will suffice--towel, tent, coffee f...
Picnics
Picnics can be taken beyond a bunch of plastic-wrapped ham sandwiches and warm potato salad that ants won't even touch. Highlighted in this book are dozens of ideas on taking outdoor eating to new levels.Each themed picnic depicted features recipes, location ideas, decor, extra comfort items to bring, a "Do's and Don'ts" list and more. These are inspired ideas for family and friend get-togethers, whether they are by the lake or just in the backyard.
The King's Bench
An examination of kings' courts and lords' courts in Normandy that opens a new chapter in the debate over absolutism, sovereignty, and the nature of the state in early modern France. Hidden deep in the countryside of France lay early modern Europe's largest bureaucracy: twenty- to thirty-thousand royal bailiwick and seigneurial courts that served more than eighty-five percent of the king's subjects. The crowncourts and lords' courts were far more than arenas of litigation, in the modern sense. They had become the nexus of local governance by the middle of the seventeenth century, a rich breeding ground for men who controlled the villages, towns, and bailiwicks of France. Yet even as the cent...
The Writing of History and the Study of Law
This second volume of essays by Professor Kelley takes the study of history as its starting point, then extends explorations into adjacent fields of legal, political, and social thought to confront some of the larger questions of the modern human sciences. The first group of papers examine the historiography of the Protestant Reformation and then of the Romantic and Victorian periods; the last section focuses on the legal tradition and its interpretation in relation to social and cultural, as well as historical thought, in the period from the Renaissance to the French Revolution. Throughout, the author’s interest is to analyse how people at different times have viewed their past - and reconstructed and utilised it in the service of their present concerns.
Custom, Law, and Monarchy
Custom, Law, and Monarchy explores how law evolved in early modern France, from an amalgam of customs, Roman and canon law, royal edicts, and judicial decisions, to the unified Civil Code of 1804. In exploring the history of this codification of law, Marie Seong-Hak Kim lays out a new way of understanding French history.
Regents' Proceedings
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Tracing Your Coalmining Ancestors
“A meticulous mixture of social and family history . . . Whether or not you have mining connections, this is an interesting socio-economic read.” —Your Family Tree In the 1920s there were over a million coalminers working in over 3000 collieries across Great Britain, and the industry was one of the most important and powerful in British history. It dominated the lives of generations of individuals, their families, and communities, and its legacy is still with us today—many of us have a coalmining ancestor. Yet family historians often have problems in researching their mining forebears. Locating the relevant records, finding the sites of the pits, and understanding the work involved a...
Images of Plague and Pestilence
Since the late fourteenth century, European artists created an extensive body of images, in paintings, prints, drawings, sculptures, and other media, about the horrors of disease and death, as well as hope and salvation. This interdisciplinary study on disease in metaphysical context is the first general overview of plague art written from an art-historical standpoint. The book selects masterpieces created by Raphael, Titian, Tintoretto, Rubens, Van Dyck, and Poussin, and includes minor works dating from the fourteenth to twentieth centuries. It highlights the most important innovative artistic works that originated during the Renaissance and the Catholic Reformation. This study of the changing iconographic patterns and their iconological interpretations opens a window to the past.
Images of Leprosy
From biblical times to the onset of the Black Death in the fourteenth century, leprosy was considered the worst human affliction, both medically and socially. Only fifty years ago, leprosy, or Hansen’s disease, was an incurable infectious illness, and it still remains a grave global concern. Recently, leprosy has generated attention in scholarly fields from medical science to the visual arts. This interdisciplinary art-historical survey on lepra and its visualization in sculpture, murals, stained glass, and other media provides new information on the history of art, medicine, religion, and European society. Christine M. Boeckl maintains that the various terrifying aspects of the disease dominated the visual narratives of historic and legendary figures stricken with leprosy. For rulers, beggars, saints, and sinners, the metaphor of leprosy becomes the background against which their captivating stories are projected.
German Paintings in the Metropolitan Museum of Art, 1350-1600
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
