Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Fables of La Fontaine (Dodo Press)
Jean de La Fontaine was the most famous French fabulist and probably the most widely read French poet of the 17th century. According to Flaubert, he was the only French poet to understand and master the texture of the French language before Hugo. The works of La Fontaine, the total bulk of which is considerable, fall no less naturally than traditionally into three divisions, the Fables, the Contes and the miscellaneous works. Of these the first may be said to be known universally, the second to be known to all lovers of French literature, the third to be with a few exceptions practically forgotten. La Fontaine's Fables, first published in 1668, are choice in every sense: utterly correct, balanced, exquisite in rhyme, natural and easy, droll, witty, knowing, sage. They were an immediate success and many generations of French students have learned them by heart at school.
The Fables of Jean de La Fontaine
Charming and elegant, Jean de La Fontaine's (1621-1695) animal fables depict sly foxes and scheming cats, vain birds and greedy wolves, all of which subtly express his penetrating insights into French society and the beasts found in all of us.
A Hundred Fables of La Fontaine
DigiCat Publishing presents to you this special edition of "A Hundred Fables of La Fontaine" by Jean de La Fontaine. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Fables of la Fontaine
"Fables of La Fontaine" from Jean de La Fontaine. French fabulist and poet (1621-1695).
One Hundred Fables
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Complete Fables of La Fontaine
In this wonderful, vigorously contemporary translation, Craig Hill has captured the liveliness, satiric wit, and poetic beauty that made Jean de la Fontaine famous during his lifetime and his Fables celebrated as a masterwork of world literature ever since. Despite la Fontaine’s deceptively modest claim that all he intended was to put the moral tales of Aesop and other ancient fabulists into poetry for the pleasure of Louis XIV’s young son, his real accomplishment, as later generations have understood, was holding a mirror up to the society of his day and, in the process, fashioning a work that has become a classic. Borrowing from a variety of sources, la Fontaine gave the hitherto mute ...
The Original Fables of La Fontaine
Stories with deep wisdom, gentle satire, polite cynicism, and, above all, irresistible humour.
Tales and Novels; 1
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
