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These essays collectively cover a stretch of French history from Medieval times to the twentieth century, deploying a wide variety of analytical techniques in an effort to understand people's perceptions of their own lives as well as the institutional and cultural factors affecting their decisions.
A collection of chansons printed in various collections between 1529 and 1543 by Pierre Attaingnant, the inventor of single-impression printing. the arrangement of chansons for lute or keyboard was an important source of instrumental music in the sixteenth century. the chansons in the present anthology, the fruits of a particularly rich period in French music, are modern arrangements for guitar or lute made in accordance with procedures found in French prints of the time. the musical styles range from the serious, imitative Franco-Flemish chanson of northern composers to the charming, light-hearted, and often ribald chansons that furnished musical entertainment in early sixteenth-century Paris. Although the arrangements are instrumental, text translations are furnished to aid in interpretation of the music and to amuse the modern reader as they amused the listener in the 1530s and 1540s. Standard notation only.
Diane Margolf looks at the Paris Chambre de l’Edit in this well-researched study about the special royal law court that adjudicated disputes between French Huguenots and the Catholics. Using archival records of the court’s criminal cases, Margolf analyzes the connections to three major issues in early modern French and European history: religious conflict and coexistence, the growing claims of the French crown to define and maintain order, and competing concepts of community and identity in the French state and society. Based on previously unexplored archival materials, Margolf examines the court through a cultural lens and offers portraits of ordinary men and women who were litigants before the court, and the magistrates who heard their cases.