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What if you closed your eyes, blew out the candles, and your wish came true? Ellie Jerome is a young-at-heart seventy-five-year-old who feels she has more in common with her twenty-nine-year-old granddaughter, Lucy, than her fifty-five-year-old daughter, Barbara. Ellie’s done everything she can to stay young, and the last thing she wants is to celebrate another birthday. So when she finds herself confronted with a cake full of candles, Ellie wishes more than anything that she could be twenty-nine again, just for one day. But who expects a wish like that to come true? 29 is the story of three generations of women and how one magical day shakes up everything they know about each other. While Ellie finds that the life of a twenty-something is not as carefree as she expected, the sheer joy of being young again prompts her to consider living her life all over. Does she dare stay young for more than this day, even if it means leaving everyone she loves behind? Fresh, funny, and delightful, 29 is an enchanting adventure about families, love, and the real lessons of youth.
Violets and Other Tales (1895) is a collection of stories and poems by Alice Dunbar Nelson. While working as a teacher in New Orleans, Dunbar Nelson published Violets and Other Tales through The Monthly Review, embarking on a career as a leading black writer of the early twentieth century. “If perchance this collection of idle thoughts may serve to while away an hour or two, or lift for a brief space the load of care from someone's mind, their purpose has been served—the author is satisfied.” With this entreaty, Alice Dunbar Nelson introduces her first published work with a humility and caution rather unfitting an author of such immense talent. In this collection of reflections, vignet...
The pieces in this collection range in setting from the small towns of New England to the deserts of the Southwest. Grounded in personal experience these essays ask through narrative what it means to be a rebel girl, a rebel teenager, and a rebel woman in a world that seems to offer no real alternative to traditional roles. Infused with lyrical and figurative language, this collection combines the swiftness of the prose poem with the power of the personal essay resulting in writing that pulls the ground out from under the reader again and again. The collection is organized chronologically in a way that charts the development of a woman as she attempts to adapt to the world around her through stories of love, heartbreak, and adventure. The essays travel with the narrator from a summer camp in Maine, to opal mining in Nevada, to the story of a deadly thunderstorm in Vermont, to hunting for ginseng, asking the questions about belonging, expectation and, ultimately, if there is a chance for real happiness.
The ideas of architects are usually conveyed by their buildings. Vladimir Belogolovsky takes a different approach in his new work. The New York-based author gives a detailed picture of contemporary architects – through words. The publication consisting of almost six hundred pages presents interviews with thirty architects, which Belogolovsky conducted in the framework of his long-term, international activities as a curator and author. The names of the interviewees read like a “Who-is-Who” of modern architecture. The fame surrounding these avant-garde masters has eclipsed merely professional circles and reached the conscience of the wide general public. Their iconic work has attracted s...
"In "Broken Trust," F. Remy Diederich relates his personal experiences of toxic faith and spiritual abuse along with the experiences of other survivors. But this isn't just another tell-all story of abuse; it's a guide that will help you to first identify spiritual abuse, and then offer you a practical plan for recovery. Diederich is convinced that God is the God of resurrection and restoration. He believes you can begin again."--Amazon.com
In this wonderful, vigorously contemporary translation, Craig Hill has captured the liveliness, satiric wit, and poetic beauty that made Jean de la Fontaine famous during his lifetime and his Fables celebrated as a masterwork of world literature ever since. Despite la Fontaine’s deceptively modest claim that all he intended was to put the moral tales of Aesop and other ancient fabulists into poetry for the pleasure of Louis XIV’s young son, his real accomplishment, as later generations have understood, was holding a mirror up to the society of his day and, in the process, fashioning a work that has become a classic. Borrowing from a variety of sources, la Fontaine gave the hitherto mute ...