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"Whether you are drawn to this book because of an interest in media, social problems, or domestic violence, reading it will help you better understand the impact media stories have on our perceptions of social problems." That is how Nancy Berns introduces her book. It is a work that unabashedly examines not only domestic violence, but also the larger picture of how politics and processes shape our responses to social problems. Framing the Victim also distinguishes serious research from media, which promote entertainment, empowerment, and drama.
"Summary: Techniques about writing, selling, publishing, self-publishing, and promoting stories written for children; list of resources; indexed."--Title page verso
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
Updated with fresh facts, examples and illustrations, along with two new chapters on digital media and blogs this third edition continues to be the authoritative and essential guide to writing engaging and marketable feature stories. Covers everything from finding original ideas and angles to locating expert sources Expanded edition with new chapters on storytelling for digital media and building a story blog Captivating style exemplifies the authors’ expert guidance, combining academic authority with professional know-how Comprehensive coverage of all the angles, including marketing written work and finding jobs in the publishing industry Essential reading for anyone wishing to become a strong feature writer Accompanied by a website with a wealth of resources including PowerPoint presentations, handouts, and Q&As that will be available upon publication: www.wiley.com/go/sumnerandmiller
Details how to research, interview for and write marketable biographies, including as-told-to autobiographies as well as authorized and unauthorized biographies.
Here is one of the first books to address the problems of serials as they relate to the user, the reference librarian, and the library itself. Opening a crucial dialogue, serials librarians and reference librarians explore ways in which they can work together to make serials more accessible to the user. With this vital new book, public services librarians will gain a better understanding of the unique nature of serials, especially concerning their acquisition and cataloguing, and technical services librarians will gain a clearer view of the problems involved in interpreting the record for the user. Serials and Reference Services provides a wealth of information that will help the cataloguer ...
The Culture and Commerce of the Short Story is a cultural and historical account of the birth and development of the American short story from the time of Poe. It describes how America - through political movements, changes in education, magazine editorial policy and the work of certain individuals - built the short story as an image of itself and continues to use the genre as a locale within the realm of art where American political ideals can be rehearsed, debated and turned into literary forms. While the focus of this book is cultural, individual authors such as Edgar Allan Poe and Edith Wharton are examined as representative of the phenomenon. As part of its project, this book also contains a history of creative writing and the workshop dating back a century. Andrew Levy makes a strong case for the centrality of the short story as a form of art in American life and provides an explanation for the genre's resurgence and ongoing success.
From the best-selling author of Rubyfruit Jungle and Bingo, here is a writers' manual as provocative, frank, and funny as her fiction. Unlike most writers' guides, this one had as much to do with how writers live as with mastering the tools of their trade. Rita Mae Brown begins with a very personal account of her own career, from her days as a young poet who had written a novel no publisher wanted to take a chance on, right up to her recent adventures as a Hollywood screenwriter. In a sassy style that makes her outspoken advice as entertaining as it is useful, she provides straight talk about paying the rent while maintaining the energy to write; and dealing with agents, publishers, critics, and the publicity circus; about pursuingj ournalisim, academia, or screen-writing; and about rejecting the Hemingway myth of the hard-living, hard-drinking genius. In addition Brown, a former teacher or writing, offers a serious examination of the writer's tool--language, plotting, characters, symbolism--plus exercises to sharpen the ear for dialogue, and a fascinating, annoted reading list of important works from the seventh century to the late twentieth.
As much as any individual, Ray Bradbury brought science fiction's ideas into the mainstream. Yet he transcended the genre in both form and popularity, using its trappings to explore timely social concerns and the kaleidoscope of human experience while in the process becoming one of America's most beloved authors. David Seed follows Bradbury's long career from the early short story masterpieces through his work in a wide variety of broadcast and film genres to the influential cultural commentary he spread via essays, speeches, and interviews. Mining Bradbury's classics and hard-to-find archival, literary, and cultural materials, Seed analyzes how the author's views on technology, authoritarianism, and censorship affected his art; how his Midwest of dream and dread brought his work to life; and the ways film and television influenced his creative process and visually-oriented prose style. The result is a passionate statement on Bradbury's status as an essential literary writer deserving of a place in the cultural history of his time.