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The Spirit of St. Francis de Sales; By His Friend Jean Pierre Camus Bishop Of Belley
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
On Camus
A window onto one of the most consequential friendships in philosophical history, that of Sartre and Camus--and on its end. Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. Sartre met Albert Camus in Occupied France in 1943, and from the start, they were an odd pair: one from the upper reaches of French society; the other, a pied-noir born into...
Trente nouvelles
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Camus and Sartre
Until now it has been impossible to read the full story of the relationship between Albert Camus and Jean-Paul Sartre. Their dramatic rupture at the height of the Cold War, like that conflict itself, demanded those caught in its wake to take sides rather than to appreciate its tragic complexity. Now, using newly available sources, Ronald Aronson offers the first book-length account of the twentieth century's most famous friendship and its end. Albert Camus and Jean-Paul Sartre first met in 1943, during the German occupation of France. The two became fast friends. Intellectual as well as political allies, they grew famous overnight after Paris was liberated. As playwrights, novelists, philoso...
Camus, a Romance
A woman’s passion for the Nobel Prize winner yields “a rich hybrid of biography, literary criticism, intellectual history and memoir” (The Washington Post). Elizabeth Hawes was a college sophomore in the 1950s when she became transfixed and transformed by Albert Camus. The author of such revered works as The Fall, The Plague, and The Stranger, he was best known for his contribution to twentieth-century literature. But who was he, beneath the trappings of fame? A French-Algerian of humble birth; the TB-stricken exile editing the war resistance newspaper Combat; the pied noir in anguish over the Algerian War; and the Don Juan who loved a multitude of women. Above all, he was a man who wa...
Algerian Chronicles
More than fifty years after Algerian independence, Albert Camus’ Algerian Chronicles appears here in English for the first time. Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus’ most political works—an exploration of his commitments to Algeria. Dismissed or disdained at publication, today Algerian Chronicles, with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer’s elegant translation. “Believe me when I tell you that Algeria is where I hurt at this moment,” Camus, who was the most visible symbol of France’s troubled relationship with Algeria, write...
A Life Worth Living
Exploring themes that preoccupied Albert Camus--absurdity, silence, revolt, fidelity, and moderation--Robert Zaretsky portrays a moralist who refused to be fooled by the nobler names we assign to our actions, and who pushed himself, and those about him, to challenge the status quo. For Camus, rebellion against injustice is the human condition.
The Brothers Le Nain
A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to...
