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Biography of Jean Sini, currently Cofounder + Chief Technology Officer at Fountain, previously Investor at Kickpay and Investor at Kickpay.
A new theory of moral and aesthetic value for the age of remix, going beyond the usual debates over originality and appropriation. Remix—or the practice of recombining preexisting content—has proliferated across media both digital and analog. Fans celebrate it as a revolutionary new creative practice; critics characterize it as a lazy and cheap (and often illegal) recycling of other people's work. In Of Remixology, David Gunkel argues that to understand remix, we need to change the terms of the debate. The two sides of the remix controversy, Gunkel contends, share certain underlying values—originality, innovation, artistic integrity. And each side seeks to protect these values from the...
Build, Administer, and Manage Oracle Stellent Universal Content Management (UCM) Solutions with this book and eBook.
The Trinity is the central mystery of the Christian faith. What can we say about the divine nature, and what does it mean to say that God is Father, Son, Holy Spirit, three persons who are one in being? In this book, best selling author Thomas Joseph White, OP, examines the development of early Christian reflection on the Trinity, arguing that essential contributions of Patristic theology are preserved and expanded in the thought of Thomas Aquinas. By focusing on Aquinas’ theology of the divine nature as well as his treatment of divine personhood, White explores in depth the mystery of Trinitarian monotheism. The Trinity: On the Nature and Mystery of the One God also engages with influential proposals of modern theologians on major topics such as Trinitarian creation, Incarnation and crucifixion, and presents creative engagements with these topics. Ultimately any theology of the cross is also a theology of the Trinity, and this book seeks to illustrate how the human life, death, and resurrection of Jesus reveal the inner life of God as Trinity.
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
Das 18. Jahrhundert war das Zeitalter der Kunstkenner: in und zugleich Ära eines globalen Bewusstseins, das aus dem sich beschleunigenden Handel und imperialen Eroberungen hervorging. Diese Publikation bringt die Kennerschaft, die sich als empirische Methode der Kunstanalyse in Europa und Asien etablierte, in einen Dialog mit der zunehmenden Auseinandersetzung mit unterschiedlichen Formen des Kunstschaffens, die im Verlauf des langen 18. Jahrhunderts durch lokale und globale Netzwerke ermöglicht wurde. Die Autor: innen des Buches nehmen Wechselbeziehungen zwischen Indien, Japan, China und Europa in den Blick und untersuchen, wie sich Begegnungen mit Kunstwerken aus verschiedenen Regionen der Welt auf die Praxis der Kunstkennerschaft in Asien und Europa auswirkten. Praktiken und Netzwerke in Indien, Japan und Europa des 18. Jahrhunderts Komplexität und Asymmetrien der Kunstkennerschaft in einer expandierenden Welt