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In the nineteenth century American Presbyterians were among the many Western denominations that sent missionaries to countries around the world. They established foreign Missions as bases in those lands with the intention of starting indigenous churches there. Although the Mission structures were designed to function like scaffolding during the construction of a building, to be removed when the building is complete, the Presbyterian Mission structure in Brazil remained in place for 126 years, long after the Brazilian Presbyterian Church it founded became independent and self-supporting. It was the last of the Presbyterian Missions in the world to be dissolved. The story told here documents the contributions made by North American Presbyterians in Brazil and tackles the missiological question of just why it remained in place so long, and whether it should have.
Winner of the 2003 Brittingham Prize in Poetry. Brian Teare's poetry is turning the lyric on its ear, along with the Southern Gothic, the fairy tale, the Old Testament--anything that gets in the way of his powerful voice gets pulled in, chewed up, spit out as a new and frightening (and sexy!) utterance. No one is safe in any of these poems, in any sense of the word. What a brave new voice, livid and gutsy and fresh. --D.A. Powell.
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Physicians, health researchers, and nurses make extensive use of focus groups. Thus, researchers and readers need access to the realm of applications of focus group methodology in the wide variety of medical and health sciences. In this second installment of a two-volume examination of ten recent years (1998-2007) of focus group studies and research literature, author Graham R. Walden turns his attention from the arts, humanities, and non-medical sciences to the medical and health sciences, concentrating on a broad range of studies in books, book chapters, and journal articles that are available in English. Focus Groups, Volume II: A Selective Annotated Bibliography: Medical and Health Scien...
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Celebrating the voices, current and past, that surface in lyric poetry