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Dinah Pelerin has finally put her life in order. Living in Berlin with her boyfriend Thor, she has landed a job teaching Native American cultures at the university. She's never felt happier. And then her Seminole mother Swan shows up with a crazy scheme to blackmail a German tax dodger and dredges up a secret Dinah has kept hidden from the IRS and from straight - arrow Norwegian Thor, a former cop now with hush - hush international duties. Germans harbor a century - long fascination with the American Wild West and American Indians. Some enthusiasts dress up as Indians and adopt Indian names. Like Der Indianer Club which has invited Swan to a powwow where she plans to meet her blackmail victi...
What's a 20-something Union war widow to do in 1867? Start up her own detective agency with a former Reb POW, of course! Quinn Sinclair, who uses the name Mrs. Paschal professionally, and her wryly observant partner Garnick get two cases on the same day - one to help a man prove he didn't kill his wife, another to help a lawyer find reasonable doubt that his client killed her ex-lover's new bride. As the detectives dig deeper, they unearth facts that tie the cases together in disturbing ways. This tantalizing tale of 19th Century Chicago comes complete with corrupt politicians, yellow-press reporters, gambling parlors, and colorful bawdyhouse madams. At every turn in the investigation, Quinn discovers more suspects and more secret motives for murder. Not least among her worries, someone seems intent on murdering her!
A wedding on the lip of a Hawaiian volcano sounds risky to Dinah Pelerin, the bride's best friend and maid of honor. The bride, Claude Ann Kemper, has bet her heart that she's found the right man at last. The groom has gone all in on a real estate deal he believes will set him and his new wife up for life. A group of Native Hawaiians claims that the sacred bones of an ancestral king are buried on the land the groom plans to sell and one of them has vowed do whatever it takes to stop him. Claude Ann's ex-husband is stalking her and rigging booby-traps. A blackmailer is conspiring to cash in on the groom's suspicious past. And Pele, the local fire goddess, is rocking the island with a series o...
In the century before Chaucer a new language of political critique emerged. In political verse of the period, composed in Anglo-Latin, Anglo-Norman, and Middle English, poets write as if addressing the king himself, drawing on their sense of the rights granted by Magna Carta. These apparent appeals to the sovereign increase with the development of parliament in the late thirteenth century and the emergence of the common petition, and become prominent, in an increasingly sophisticated literature, during the political crises of the early fourteenth century. However, very little of this writing was truly directed to the king. As David Matthews shows in this book, the form of address was a rhetorical stance revealing much about the position from which writers were composing, the audiences they wished to reach, and their construction of political and national subjects.
Conroy Maddox discovered surrealism by chance in 1935 and spent the rest of his life exploring its potential through his paintings, collages, photographs, objects and texts. Inspired by artists such as Max Ernst, Oscar Dominguez and Salvador Dalí, he rejected academic painting in favor of techniques that expressed the surrealist spirit of rebellion. Maddox went on to become a rebel in every sense – the defiance that had initially turned towards aesthetics became a broader challenge against morality, religion and the establishment as a whole. Maddox’s colorful exploits and outstanding artistic production undoubtedly made him Britain’s most beguiling, provocative and vigorous exponent of surrealism. This book maps out his place in the history of the surrealist movement and reveals the intellectual complexity as well as the poignant charm of an oeuvre that spans eight decades.
Includes field staffs of Foreign Service, U.S. missions to international organizations, Agency for International Development, ACTION, U.S. Information Agency, Peace Corps, Foreign Agricultural Service, and Department of Army, Navy and Air Force
As the British watched their empire crumble and the United States became the dominant world power, many British films warned of the dangers posed by American culture. Americans were frequently portrayed as disconcertingly ambitious, reckless and irreverent. Yet the same films that depicted the U.S. as an agent of chaos also suggested Britons might do well to embrace American-style energy and egalitarianism. Movies like Love Actually, The Quatermass Xperiment, 28 Weeks Later, Local Hero and Alfred Hitchcock's Secret Agent have delved into the storied "special relationship" between the U.S. and U.K. These films and many more examined in this first book-length study of British movies about America, reveal much about British attitudes regarding power, gender, class, sexuality and emotion.
Announcements for the following year included in some vols.
How can Christians bring about peace and justice in the world, when Christianity seems either to claim the absolute truth about God or to dissolve into "disempowering relativism"? James Will seeks an answer for this crucial question in the spiritual and intellectual life of the church. He challenges the traditional western idea of God as omnipotent and unchanging, instead offering the theory of the universal relationality of God. Writing from the perspective of process theology, Will says that just as God had an impact on the world, so the world has an impact on God. God is related and responsive to the world. In the modern world, where many cultures and belief systems are in contact and often conflict with one another, Will's broadening of the conception of God offers an integration of many cultures and beliefs, recognizing their relatedness without reducing any of them. In this way, Will believes the universal God may bring love and peace to a pluralistic and often divided world.
Experiencing the Body in Yoga Practice: Meanings and Knowledge Transfer inspires more mindful and contemplative qualitative research on body and knowledge transfer in bodily practices in hatha yoga. The book explores the work of the mind, as well as the role of emotions and body sensations in perceiving reality and in reflecting on it. Procedures and research methods are an extension of our mind, which wants to reach into the social reality to describe it objectively. It usually refuses body and emotions. The techniques of sampling and representativeness are also tools of the mind. Using these tools, our contact with social reality produces emotions and feelings of the body. These phenomena ...