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My Claustrophobic Happiness
My Claustrophobic Happiness is a series of humorous, surreal, and viciously critical vignettes that dive deep into complex waters of identity's relationship to consumerism.
Ethics of Luxury
In Ethics of Luxury renowned Canadian thinker and artist Jeanne Randolph gives us a magnum opus focusing on one of the most pressing issues facing us today how we act morally and ethically while participating in a culture of abundance, opulence and consumerism. Randolph argues that when we use our imagination, as we do when we create, appreciate and live with art, we are acting ethically, expressing our sense of morality in a practical, material way.
The Uncanny
The Uncanny: Experiments in Cyborg Culture is a dazzling and provocative examination of the cyborg--the concept of man-as-machine--in popular culture. The book collects essays and images, in colour and black-and-white, presenting the image of the cyborg in all its imaginative guises. The title is from a 1919 essay by Sigmund Freud (and included in the book), which deals with the sensation of "uncanniness" as being strange and familiar at the same time. The idea of the cyborg has been in existence for decades, and is one of the most persistent cultural images of the past century. The cyborg is a cypher--an enigmatic image of figure that is human but not human, a machine but not a machine. It ...
Canadian Cultural Poesis
Annotation Examining culture as social identity, this collection explores issues such as gender, technology, cultural ethnicity, and regionalism in four general areas: the media, individual and national identity, languages, and cultural dissent.
Autotheory as Feminist Practice in Art, Writing, and Criticism
Autotheory--the commingling of theory and philosophy with autobiography--as a mode of critical artistic practice indebted to feminist writing and activism. In the 2010s, the term "autotheory" began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
Shopping Cart Pantheism
Shopping Cart Pantheism offers a preposterous and yet challenging invitation to participate in commodity adoration. Glorifying consumerism as the de facto religion of our time, the brainy, off-kilter narrator invites readers to welcome the era of advertising that is mining Subconscious remnants of Christian mythology. As she meanders The Strip in Las Vegas, its sites and monuments become examples of Christian sainthood, miracles, worship, and dogma now transformed into icons of consumerism. Satiric, witty, and deeply insightful, Shopping Cart Pantheism reveals the fraught beginnings of the twenty-first centurys most pervasive neurosis.
Deviant Practices
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Artists and Their Autobiographies from Today to the Renaissance and Back
Reading life writing that runs from Tracey Emin, Faith Ringgold and Judy Chicago to Marie Bashkirtseff, Benvenuto Cellini and beyond, Artists and Their Autobiographies from Today to the Renaissance and Back investigates the intriguing doubled truths of artists’ autobiographies: truth in life and truth in art; authorial truth/s and the truth of their art as they saw it. However, this book focuses specifically on the truth of sincerity, which here—following classic discussions by Reindert Dhondt, Philippe Lejeune and Lionel Trilling—appears as a truth to self that floats free from facts to link avowal and feeling. From there, this volume merges autobiography studies with a history of ide...
Impulse Archaeology
Impulse Archaeology honours this important period in Canadian art and cultural history, recalling the early influence of like-minded publications from New York and the import of French theorists and European artists and writers into North America.
Secret Toronto
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