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ING_08 Review quote
During the Civil War, two young soldiers on opposite sides find themselves drawn together. One is a war-weary but scholarly Southerner who has seen too much bloodshed, especially the tortures inflicted upon the enemy by his vicious commanding officer, his uncle. The other is a Herculean Yankee captured by the rag-tag Confederate band and forced to become a martyr for all the sins of General Sheridan's fires. When these two find themselves admiring more than one another's spirit and demeanor, when passions erupt between captor and captive, will this new romance survive the arduous trek to Purgatory Mountain?
Winner of the 2008 Gradiva Award, Theoretical Category, presented by the National Association for the Advancement of Psychoanalysis The Real Gaze develops a new theory of the cinema by rethinking the concept of the gaze, which has long been central in film theory. Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenge the foundations of ideology. This book demonstrates several distinct cinematic forms that vary in terms of how the gaze functions within the films. Through a detailed investigation of directors such as Orson Welles, Claire Denis, Stanley Kubrick, Spike Lee, Federico Fellini, Ron Howard, Steven Spielberg, Andrei Tarkovsky, Wim Wenders, and David Lynch, McGowan explores the political, cultural, and existential ramifications of these differing roles of the gaze.
In the cold and dangerous spring of 1924, amateur detective Annalee Spain races the clock to solve the murder of a white barnstorming pilot before the clever Black theologian—a target of the ruthless Colorado Klan—is framed for the crime, and before she is lured by the risky flirtations of the victim’s dashing twin brother. As this second installment of Patricia Raybon’s critically acclaimed mystery series opens, Annalee Spain offers her fancy lace handkerchief—a gift from her complicated pastor boyfriend, Jack Blake—to a young woman crying in a Denver public library. But later that night, when police find the handkerchief next to the body of the young woman’s murdered husband,...
This collection, the first of its kind, gathers original and previously published fiction and poetry from lesbian, gay, bisexual, transgender, and queer authors from Appalachia. Like much Appalachian literature, these works are pervaded with an attachment to family and the mountain landscape, yet balancing queer and Appalachian identities is an undertaking fraught with conflict. This collection confronts the problematic and complex intersections of place, family, sexuality, gender, and religion with which LGBTQ Appalachians often grapple. With works by established writers such as Dorothy Allison, Silas House, Ann Pancake, Fenton Johnson, and Nickole Brown and emerging writers such as Savannah Sipple, Rahul Mehta, Mesha Maren, and Jonathan Corcoran, this collection celebrates a literary canon made up of writers who give voice to what it means to be Appalachian and LGBTQ.
Winner of the Pauline Reage Novel Award of the National Leather Association: International, Fog is the story of two men, lovers, who enact a plan of revenge, kidnapping the handsome son of the man who wronged them. But for one of the kidnappers, his infatuation for the young man has grown deeper than he ever anticipated.
Dr. Jeffrey Mann, disillusioned by the South, soured on marriage, returns to Mississippi to investigate a lethal disease outbreak. The disease – mosquito-carried encephalitis – suddenly emerges in late July in the southeastern corner of the State and health department officials scramble to contain the outbreak. The new form of encephalitis is really strange (having a mixture of characteristics), making genetic engineering or bioterrorism real possibilities. The Centers for Disease Control in Ft. Collins sends the 39 year-old Dr. Mann (specialist in infectious disease outbreaks) to Mississippi to aid local Health Department officials in handling the outbreak. He hates going back because he was deeply offended during adolescence by the rigid, prim and proper South and pressures to conform. During his investigation, Dr. Mann discovers that infectious disease outbreaks are bad enough by themselves, but immensely more serious when intentionally spread.
A Gay man chronicles his relationship to his native Appalachian culture and society. Appalachians are known for their love of place, yet many LGBTQ+ people from the mountains flee to urban areas in search of community and broader acceptance. Jeff Mann tells his story as one who left and then returned, who insists on claiming and celebrating both regional and sexual identities. In memoir and poetry, Mann describes his life as an openly gay man who has remained true to his mountain roots. Mann recounts his upbringing in Hinton, a small town in southern West Virginia, as well as his realization of his homosexuality, his early encounters with homophobia, his coterie of supportive lesbian friends...