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Jennifer's Blessing
What is Jennifer’s true purpose? Can she really trust the inhuman Gabriel? Who is behind Simon Marsh? As Jennifer continues her quest to understand the message of the black panther, an old threat arises. A desperate act by Jennifer forces her to confront her past or risk losing Vijay. In the background, civic unrest grows and Vijay is established as the face of the new resistance. A battle arises in the AI world with humans left as bystanders unable to help. Confronted on all sides, Jennifer feels driven to challenge Gaia directly with a result that no one saw coming.
This speculative, romantic fantasy is the second novel of the Jennifer Trilogy, which continues the series of Gaia’s Daughters and sets the stage for the astounding conclusion.
Jeff Wall
Throughout his career, Jeff Wall has written periodically on a variety of subjects, covering everything from the work of his Vancouver colleagues to the role of photography in conceptual art. This selection of his best essays and interviews is the first collection of Wall's texts to be published in English.
Jeff Wall
"Jeff Wall is one of the most highly regarded artists at work in the world today and has played a key role in establishing photography as a contemporary art form. Jeff Wall: Photographs 1978-2004 has been developed in close collaboration with the artist and accompanies a major retrospective exhibition at Tate Modern, London. Featuring Wall's best known works, the large-scale carefully staged scenes presented as illuminated lightboxes, as well as black-and-white photographs, the book includes an insightful essay by Sheena Wagstaff. In it she examines the impact of art history and cinema on Wall's practice, revealing how he combines documentary techniques with meticulous staging and digital collage to realise his extraordinary vision."--BOOK JACKET.
A Gust of Photo-Philia
The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.
Drawing on Art
This volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fueland springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation.
Semiotics and Visual Communication IV
The chapters in this book consist of selected papers which investigate the theme of ‘Myths Today’, paying homage to the notion of myth as defined by Roland Barthes in the late 1950’s which provided a theoretical framework under which daily habits, as well as consumer practices, can be examined as socially constructed signs, idealized through verbal narratives. While ‘myth is a type of speech’, it is also a type of image; typeface, cinema, photography, sports, online networks, politics, TV shows, sound, and fashion can all serve as groundwork for mythical discourses. Under this framework, the book explores myths today, in the context of global networks, globalisation, visuals and mass communication. The interdisciplinary nature of the book provides a platform for discussion and research, broadens the scope of semiotic and visual communication thinking, and challenges the boundaries of various disciplines.
Jennifer's Vow
Who sent the black panther guide, and where will it lead her? A young woman, Jennifer, receives a visit from a spirit panther which takes her into an amazing adventure. Thrust into a relationship with Vijay, a technician in the Mercury Theatre, she must overcome her past to learn to love him. Meanwhile, the message of the panther is not clear, and an Artificial Intelligence named Gabriel claims to be the one who can help her solve the puzzle. This speculative, romantic fantasy is the first novel of the Jennifer Trilogy, which begins the series of Gaia’s Daughters.
Still Shakespeare and the Photography of Performance
Examines both theatrical and staged art photographs, demonstrating their role in fixing and unfixing Shakespearean authority.
The Topographic Imaginary
Since the early 1980s, art photographers from metropolitan France have been training their lenses on ordinary landscapes throughout the country they call home. The Topographic Imaginary is the first book to study this important and flourishing trend. It examines work by artists who meld documentary and creative modes to attune viewers to places that mainstream culture tends to tune out, but which, as Ari J. Blatt argues, are in fact more meaningful than they initially appear. From views of building sites in Paris, peri-urban edgelands, or a tangle of trees in a forest, to those that ponder the play of light and shadow on roadside fields in Normandy or the tacky colors painted on dated villag...
Called and Chosen
That lay women and men increasingly serve as leaders of institutional ministries in the Church is nothing new. Yet, until now, these lay leaders have longed for theological resources and formational training to help them in their vocation and ministry. Called and Chosen: Toward a Spirituality for Lay Leaders is designed especially for women and men who, in collaboration with vowed religious and the ordained, shepherd Church ministries and touch the lives of countless people. Written by leading authorities in biblical studies, theology, spirituality, church history, and ecclesial leadership, the book is broken into four parts: Part one invites lay leaders to claim their own call and commitmen...
