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The Ashgate Research Companion to the Counter-Reformation
'In the last two decades, the history of the Counter-Reformation has been stretched and re-shaped in numerous directions. Reflecting the variety and innovation that characterize studies of early modern Catholicism today, this volume incorporates topics as diverse as life cycle and community, science and the senses, the performing and visual arts, material objects and print culture, war and the state, sacred landscapes and urban structures. Moreover, it challenges the conventional chronological parameters of the Counter-Reformation and introduces the reader to the latest research on global Catholicism. The Ashgate Research Companion to the Counter-Reformation presents a comprehensive examination of recent scholarship on early modern Catholicism in its many guises. It examines how the Tridentine reforms inspired conflict and conversion, and evaluates lives and identities, spirituality, culture and religious change. This wide-ranging and original research guide is a unique resource for scholars and students of European and transnational history.
Black Africans in Renaissance Europe
This highly original book opens up the almost entirely neglected area of the black African presence in Western Europe during the Renaissance. Covering history, literature, art history and anthropology, it investigates a whole range of black African experience and representation across Renaissance Europe, from various types of slavery to black musicians and dancers, from real and symbolic Africans at court to the views of the Catholic Church, and from writers of African descent to Black African criminality. Their findings demonstrate the variety and complexity of black African life in fifteenth and sixteenth-century Europe, and how it was affected by firmly held preconceptions relating to the African continent and its inhabitants, reinforced by Renaissance ideas and conditions. Of enormous importance both for European and American history, this book mixes empirical material and theoretical approaches, and addresses such issues as stereotypes, changing black African identity, and cultural representation in art and literature.
Narratives of Adversity
Addresses the experience of Jesuit missionaries, teachers and writers along the peripheries of the Habsburg lands, which stretched to Moldavia, Ukraine, Serbia and Wallachia, and which was continually riven with ethnic tensions. The time scale of the study is from the "high tide" of the Society (often labeled "the first multinational corporation") in the fourth decade of the seventeenth century, until its suppression in 1773 by Pope Clement XIV. The book examines several of the communities situated along the periphery and the records that they left behind about their interactions with the local populations. It constructs a vivid picture of Jesuit life on the frontier that is built up in mosaic fashion and livened by compelling anecdotes. The Jesuits of Royal Hungary exercised a baroque expression modeled after the larger western cities of the Habsburg lands, which was a fragile splendor in part defined by the need to defend Catholicism from the hostility of Orthodox, Lutherans, Calvinists, and others.
The Frontiers of Mission
In exploring the shifting realities of missionary experience during the course of imperialist ventures and the Catholic Reformation, The Frontiers of Mission: Perspectives on Early Modern Missionary Catholicism provides a fresh assessment of the challenges that the Catholic church encountered at the frontiers of mission in the early modern era. Bringing together leading international scholars, the volume tests the assumption that uniformity and co-ordination governed early modern missionary enterprise, and examines the effects of distance and de-centering on a variety of missionaries and religious orders. Its essays focus squarely on the experiences of the missionaries themselves to offer a nuanced consideration of the meaning of ‘missionary Catholicism’, and its evolving relationship with newly discovered cultures and political and ecclesiastical authorities.
Voice Machines
An exploration of the castrato as a critical provocation to explore the relationships between sound, music, voice instrument, and machine. Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted...
A Fake Saint and the True Church
"This book uncovers the remarkable story of a fake saint to tell a tale about truth. It begins at the end of the 1650s, when a large quantity of forged documents suddenly appeared throughout the Kingdom of Naples. Narrating the life and deeds of a previously unknown medieval saint named Giovanni Calà, the trove generated much excitement around the kingdom. No one was more delighted by the news than Carlo Calà, Giovanni's wealthy and politically influential seventeenth-century descendant. Attracted by the prospect of adding a saint to the family tree, Carlo presented Giovanni's case to the Roman Curia. The Catholic authorities immediately realized that the sources were forged and that Giova...
Aspiration, Representation and Memory
Exploiting the turbulence and strife of sixteenth-century France, the House of Guise arose from a provincial power base to establish themselves as dominant political players in France and indeed Europe, marrying within royal and princely circles and occupying the most important ecclesiastical and military positions. Propelled by ambitions derived from their position as cadets of a minor sovereign house, they represent a cadre of early modern elites who are difficult to categorise neatly: neither fully sovereign princes nor fully subject nobility. They might have spent most of their time in one state, France, but their interests were always ’trans-national’; contested spaces far from the ...
The Theology and Spirituality of Mary Tudor's Church
Few areas of early modern English history have roused such passions and interpretations as the rule of Mary Tudor and her efforts to return the country to Catholicism following the reigns of her father and brother. In this book, Dr Wizeman explores Catholic theology and spirituality according to the religious literature printed during the reign of Mary Tudor (1553-1558). As part of the strategy to renew Catholic religion in England after the reformations under Henry VIII and Edward VI, Marian theologians, authors and editors produced numerous works of catechesis, religious polemic, devotion and sermons. These writings demonstrate that the Catholicism of Marian England was not a mere insular ...
Defining Community in Early Modern Europe
Numerous historical studies use the term "community'" to express or comment on social relationships within geographic, religious, political, social, or literary settings, yet this volume is the first systematic attempt to collect together important examples of this varied work in order to draw comparisons and conclusions about the definition of community across early modern Europe. Offering a variety of historical and theoretical approaches, the sixteen original essays in this collection survey major regions of Western Europe, including France, Geneva, the German Lands, Italy and the Spanish Empire, the Netherlands, England, and Scotland. Complementing the regional diversity is a broad spect...
Laughing Matters
Bawdy satirical plays—many starring law clerks and seminarians—savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated—and even commissioned—such performances, the audiences for which included men and women from every social class. From the mid-sixteenth century, however, local authorities began to temper and in some cases ban such performances. Sara Beam, in revealing how theater and politics were intimately intertwined, shows how the topics we joke about in public reflect and shape larger religious and political developments. For Beam, the eclipse of the vital tradition of satirical farce in late medieval and...
