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"Drawing on the museum's historic Renaissance collections and expertise, the book also explores the development of the Venetian glass workshop and Chihuly's enormous influence in introducing it and Venetian glassmakers to the United States. It also includes a brief resume of his career and an assessment of his art and its significance."--BOOK JACKET.
Introduction p. 6 Note to reader p. 17 Artists' biographies p. 18 List of artists in the V & A p. 140 Glossary p. 141 Further reading p. 142 Acknowledgements p. 143.
A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.
'Colin Reid Glass Sculpture' explores the work of this well-established contemporary glass artist. Richly illustrated, it also includes essays by leading glass experts Jennifer Hawkins Opie and Diane C. Wright.
Chihuly is a supremely imaginative master of technique and bravura. Extraordinary, magical glass is his stock-in-trade, and the Silvered series is among the most technically ambitious and aesthetically adventurous art of his career so far. Jennifer Opie, from the introduction Though Chihuly first experimented with the effects of silvered glass in 1996, it wasn't until 2009 that he began to explore the full range of possibilities that silvering glass could have for his work, in particular in his Cylinder and Venetians series. The Silvered series that emerged from this experimentation is remarkably striking and singular for its stunning use of color and light. By using silvered glass Chihuly is able to extend the reflective quality of the glass to manipulate the colors in the works and, in some cases, to magnify the dimensionality and articulation of form. With an introduction by Jennifer Opie that places Chihuly's silvered glass in its broader historical context, Chihuly Silvered is the first comprehensive survey of Dale Chihuly's work using silvered glass showcasing the unique beauty of his newest series.
Marking the 125th anniversary of William Morris’s death, this is the most wide-ranging illustrated book about Morris ever published. William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist, and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity, places his art in the context of its time, and examines his ongoing and far-reaching legacy. A pioneer of the Arts & Crafts Movement, William Morris (1834–1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly in...
Barbara Buenger traces the development of Viennese modernism from turn-of-the-century Jugendstil (as Art Nouveau was known in German-speaking countries) to early twentieth-century Expressionism, and interwar Art Deco. This exhibition catalogue features 103 fine and decorative art works produced by the Vienna Secession and Wiener Werkstätte movements between the 1890s and 1930s. The fully illustrated catalog features textiles, furniture, ceramics, paintings and prints, books, metalwork, glass, and a variety of other objects from a private midwestern collection. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
This newest publication in the popular Looking At series deals with glass terminology. The often arcane technical terms relating to the production and decoration of glass, as well as names of special shapes of glass beakers, are defined in succinct language. Ranging from ancient Roman moldmade glass to modern pressed glass, this glossary is a handy guide for museum-goers and anyone interested in the art of glassmaking. Illustrated with samples of Roman, Renaissance, Victorian, and modern glass, as well as engravings showing glassmakers at work, the book is both a visual delight and an informative small reference work. Objects shown are from the collections of the J. Paul Getty Museum; the Corning Museum of Glass in Corning, New York; and the Victoria and Albert Museum in London. A short bibliography rounds out the volume.