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A leading public critic reminds us of the compelling reasons people throughout time have found to stay alive
Hecht's poetry has full measures of play, wisdom, sheer joy of invention. Her poems demonstrate a mastery of craft and a unique voice buoyed by brilliance. She explains-in her endlessly appealing half-outrageous, half-conspiratorial voice-her purpose: a guidebook for those who come after. WE are the next ancient world, and Hecht makes myths out of our daily lives.
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Hecht repurposes texts and creates a magic echo chamber, bringing the lines and lyrics of long-gone friends to the table.
On October 19, 1876 a group of leading French citizens, both men and women included, joined together to form an unusual group, The Society of Mutual Autopsy, with the aim of proving that souls do not exist. The idea was that, after death, they would dissect one another and (hopefully) show a direct relationship between brain shapes and sizes and the character, abilities and intelligence of individuals. This strange scientific pact, and indeed what we have come to think of as anthropology, which the group's members helped to develop, had its genesis in aggressive, evangelical atheism. With this group as its focus, The End of the Soul is a study of science and atheism in France in late ninetee...
Jennifer Michael Hecht explodes the myths about happiness, liberating us from the message that there's only one way to care for our hearts, minds, and bodies.
Recent studies on the meaning of cultural diplomacy in the twentieth century often focus on the United States and the Cold War, based on the premise that cultural diplomacy was a key instrument of foreign policy in the nation’s effort to contain the Soviet Union. As a result, the term “cultural diplomacy” has become one-dimensional, linked to political manipulation and subordination and relegated to the margin of diplomatic interactions. This volume explores the significance of cultural diplomacy in regions other than the United States or “western” countries, that is, regions that have been neglected by scholars so far—Eastern Europe, Asia, and the Middle East. By examining cultural diplomacy in these regions, the contributors show that the function of information and exchange programs differs considerably from area to area depending on historical circumstances and, even more importantly, on the cultural mindsets of the individuals involved.
Using fact and folklore, James Laughlin Award-winning poems plumb the marvelous and weird to understand childbirth, parenthood, death, and--of course--joy.
These poems, likened to Elizabeth Bishop's, are about desire, love, seeing, gender, difference, ecology, queerness in the "natural" world, loss, LGBTQ lineage, and its community. They contain a sinuous, shape-shifting quality that makes her explorations of sex and selfhood all the more resonant. Jenny Johnson won a 2015 Whiting Fellowship. She lives in Pittsburgh, Pennsylvania.
Poetic investigations of the distortions and discoveries of photography and sight