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The Feeder
Poetry. Women's Studies. Body Positive. THE FEEDER by Jennifer Jackson Berry is a book of the body--an unblinking eye, a voice kicking open door after door on hushed topics of infertility, pregnancy loss, and how real bodies, in all their failings and flailings, seek and find pleasure. The poems are as secrets shared between good friends, so raw and dangerous, we can't look away. "IN THE FEEDER, Jennifer Jackson Berry gives us what we crave. In an authentic, incisive voice, she instructs:'... don't swat the wasp. / Let it happen. Let the sting happen.' And the sting does happen in these slicing poems of the body in delight and distress--poems of the fat girl speaking, poems of infertility, of sex and more sex, of debilitating loss. Berry delivers what so many others only strive for: the devouring of what's gone bad and the opening up of each remaining body to see it glisten."--Jan Beatty
We Will Be Shelter
We Will be Shelter, edited by poet and activist Andrea Gibson, is an anthology of contemporary poems that addresses issues of social justice. Unique to this anthology is its focus on creating positive social change through gorgeous, gusty poetry. Alongside and embedded in featured poems are concrete ways to address social and political issues raised. The goal of We Will be Shelter is to raise awareness, encourage critical self-reflection, and call readers to action.
Grace Will Lead Us Home
A NEW YORK TIMES NOTABLE BOOK OF 2019 * BARNES & NOBLE DISCOVER GREAT NEW WRITERS PICK * OPRAH MAGAZINE SUMMER 2019 READING LIST SELECTION * NEW YORK TIMES EDITOR'S CHOICE “A soul-shaking chronicle of the 2015 Charleston massacre and its aftermath... [Hawes is] a writer with the exceedingly rare ability to observe sympathetically both particular events and the horizon against which they take place without sentimentalizing her subjects. Hawes is so admirably steadfast in her commitment to bearing witness that one is compelled to consider the story she tells from every possible angle.” —The New York Times Book Review A deeply moving work of narrative nonfiction on the tragic shootings at...
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Ballet
Ballet is a detailed guide to creative practice and performance. Compiled by ten leading practitioners, each chapter focuses on an aspect of ballet as a performing art. Together they outline a journey from the underpinning principles of ballet, through an appreciation of different styles and schooling, into the dance studio for practice in class and beyond. With additional insights from highly acclaimed dancers, choreographers and teachers, this practical guide offers advice on fundamental and advanced training and creative development. As well as providing information from dance science research into training well-being, this book supports the individual dancer in their artistic growth, off...
The Fat Sonnets
Poetry. Women's Studies. Samantha Zighelboim's debut collection conducts a radical re-examination of what we mean by body. In these poems, body is noun, verb and adverb; body is dearly beloved and fiercely rejected; it is by turns a singularly beautiful process and a frightening object. Zighelboim takes the sonnet form as a loose premise, a la Bernadette Mayer, but then explodes, expands, defies and otherwise grows out of supposed formal limits, making language into a living embodiment of the refusal of (institutional, patriarchal, cultural) control. The poet's refusal of the social invisibility of fat bodies is essential. "I am a perfect fucking blossom," Zighelboim writes, and also "I am entitled to the loneliness of my interminable appetite." Offering felt registers as subtle as "The oblique / correspondence between / a soft body / and a thin / layer of / pulp," this is the writing of a sharp and observant world-eater: a cosmophage in the truest sense.
Meringue
Egg whites, sugar, a pinch of cream of tartar or a dash of vinegar- and air. So simple, yet so divine! Meringue can be spooned onto pies, piped into any number of beautiful shapes, baked, poached, whipped into silky frostings, or folded into cakes. With instructions, hints, and magical recipes, this book will guide you in making heavenly treats with meringue.
Histories of Technology, the Environment and Modern Britain
Histories of Technology, the Environment and Modern Britain brings together historians with a wide range of interests to take a uniquely wide-lens view of how technology and the environment have been intimately and irreversibly entangled in Britain over the last 300 years. It combines, for the first time, two perspectives with much to say about Britain since the industrial revolution: the history of technology and environmental history. Technologies are modified environments, just as nature is to varying extents engineered. Furthermore, technologies and our living and non-living environment are both predominant material forms of organisation – and self-organisation – that surround and make us. Both have changed over time, in intersecting ways. Technologies discussed in the collection include bulldozers, submarine cables, automobiles, flood barriers, medical devices, museum displays and biotechnologies. Environments investigated include bogs, cities, farms, places of natural beauty and pollution, land and sea. The book explores this diversity but also offers an integrated framework for understanding these intersections.
Talking with Psychopaths: Mass Murderers and Spree Killers
Bestselling true-crime author Christopher Berry-Dee's latest book tackles the heavy crime of people who randomly kill large numbers of others (spree killers) and those who set out to do so in specific places or situations (mass killers). As such killings become more frequent, the ready availability and ease of obtaining firearms and weak backgrounds checks in the United States inevitably lends to many of these cases, but there have been other recent examples in the United Kingdom, New Zealand, and Norway, where extremely robust firearms legislation could not stop these horrific crimes. What is more difficult to establish is the motivation behind such killings. Some are occasioned by grievanc...
The Good Girl is Always a Ghost
Poetry. "The poems of Anne Champion's collection THE GOOD GIRL IS ALWAYS A GHOST start loud and strong with Qiu Jin speaking about her bound feet turning 'to concrete / and every step bashes the earth to wreckage, the cracked terrain / wrinkles into canyons and craters, hidden paths for my sisters to follow.' And we do follow through eras and ages, through politics and poetics, through the killing and the healing. Persona poems give voice to forgotten women, to complicated women, and when the speaker arrives in other poems, we see how the 'I' herself is complicated by her relationship to these women. In 'Dear Marilyn Monroe': 'People tell me I'm beautiful too...I watched them watch you, Mari...
