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Drawing Redefined
Drawing Redefined offers an original, critical look at the distinctive role drawing plays in the processes of five influential contemporary artists. For Roni Horn, Esther Kläs, Joëlle Tuerlinckx, Richard Tuttle, and Jorinde Voigt drawing is an essential medium in their multimedia and object-based work. Drawing affirms these artists' tactile engagement with the world and serves as a means for aesthetic experimentation and inquiry. In these artists' hands and through their bodies, the traditional practice of drawing is transformed into an exploration of time and space not necessarily bound to the page or the wall, manifest in film, sculpture, and painting. Following an introduction that traces the art historical precedents of drawing's key role in 20th-century artistic practice, noted scholars of contemporary art provide essays that explore the individual work of each artist and the vital place drawing maintains within it. Their diverse and compelling works of art are featured in 60 color illustrations. Distributed for deCordova Sculpture Park and Museum Exhibition Schedule: deCordova Sculpture Park and Museum (10/02/15-03/20/16)
The Living Line
Robin Veder's The Living Line is a radical reconceptualization of the development of late-nineteenth- and early-twentieth-century American modernism. The author illuminates connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture, fundamentally altering our perceptions about art and the physical, and the degree of cross-pollination in the arts. The Living Line shows that American producers and consumers of modernist visual art repeatedly characterized their aesthetic experience in terms of kinesthesia, the sense of bodily movement. They explored abstraction with kinesthetic sensibilities and used abstraction to ach...
Jim Nutt
Favoring fantastical invention, biting wit, and distorted figuration, with roots in mid-20th-century pop culture, Jim Nutt creates wildly original work ranging from paintings on Plexiglas to phantasmagoric portraits of imaginary women. Nutt (b. 1938) first exerted his artistic influence in the 1960s as a member of Hairy Who, a group of artists who, along with other Chicago artists of the era, are more commonly referred to as the imagists. Since 1990 he has focused exclusively on rendering female heads with radically distorted features in spare line drawings and richly detailed paintings accompanied by customized frames. Working with tiny brushes and thinned acrylic paint, Nutt often spends a...
The Art of David Ireland
A critically acclaimed practitioner of conceptual and installation art, David Ireland has taken the concept of art itself as one of his subjects. This book accompanies a full-scale retrospective of his work and offers an overview of more than 30 years ofhis accomplishments.
Mina Loy
A richly illustrated exploration of Mina Loy’s art and writings Mina Loy (1882–1966) was one of the most iconoclastic figures in modernism. A groundbreaking poet, she also left an indelible mark in painting, drawing, prose, art criticism, and fashion. Mina Loy: Strangeness Is Inevitable is the first book to examine the full scope of her extraordinary career, demonstrating Loy’s transformative impact on the visual arts as well as the literary avant-garde of the twentieth century. Presenting dozens of Loy’s paintings, drawings, and constructions alongside selections of her poems and writings, this book gives a comprehensive overview of the complex images and objects Loy created and sit...
Historic Avant-Garde Work on Paper
This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists’ work on paper to demonstr...
Modern Art and the Life of a Culture
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.
Reclaiming and Redefining American Exhibitions of Russian Art
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
Re-Enchantment
This volume includes an introduction and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on religion and art including Thierry De Duve, Georges Didi-Huberman, Gerhard Wolff, Jack Caputo and Jean-Luc Marion.
Lost Writings
Two never-before-published novels by Mina Loy, the celebrated modernist poet, artist, and feminist Mina Loy (1882–1966) is an essential figure of the European and American modernist avant-garde. A groundbreaking writer of poetry, novels, essays, plays, and uncategorizable prose, she was also a fashion and lighting designer and an accomplished visual artist. As gallery agent for figures such as Giorgio de Chirico, Alberto Giacometti, and Salvador Dalí, she was a significant conduit for art that traversed the Atlantic. Loy has been best known for the poetry she published in the little magazines of the late teens and early twenties, most notably the long poem “Songs to Joannes” and the a...
